Kamelia Pezeshki

Untitled, 4/5

2011

Capitol Reef Mesa No. 1, photograph, 7 x 7 inches - $650 Photograph of a model of Capitol Reef mesa, 3D printed using National Geographic Survey Data by a...

"One Cent," by Gini Pringle, metal printed photograph with neon sign, 24 x 24 inches. $1,900 Now in this ever changing photographic world, urban photographe...

Water Patterns, oil on canvas, 40 x 30 inches (Framed size: 43 x 33 inches), $4,800 “Connie Borup’s work cannot simply be described as landscape; it is t...

Heaven, Earth, Grandchildren (a collaboration with Stella, Hazel, Scarlet) mixed oils on panel 24 x 48 inches (unframed, raw wood sides) $4,800 This piece was created for and shown in Phillips...

"Untitled, 1975" by Claudia Sisemore, acylic on canvas, 41.5 x 50 inches, $4,800. "I have a vague idea of what I am going to paint. I read that many artists are inspired by an idea before they begin their work and plan their approach and process based on that idea or muse. Others become inspired after they have begun working and watching colors, shapes and designs form. I basically belong the second group. Usually, after painting begins in a loose, free manner, I become excited by certain colors and patterns and continue from there." -Claudia Sisemore -- Caudia Sisemore says she was teaching English when artist David Chaplin (an equally popular and influential teacher) was at Weber and initially got her into landscape painting. “Then he took me to a show at the Art Barn and Lee [Deffebach] was showing there [with Don Olsen...

25th Street, by Elise Zoller, 24 x 30 in. oil on panel. Elise Zoller has recently embarked on a series of plein air paintings of sites around Salt Lake City and in the smaller towns of Utah from Hurricane to Huntsville. She has enjoyed meeting people along the road and learning about the history of the state. “Plein air work can be physically demanding, but there is no substitute for working from life. Light and shadow dance in subtle ways a photograph cannot capture. Even the wind and the fragrances it carries inform the work. Scenes come alive when you stand in one place for a few hours. You’ve got to get to know a spot,” Elise says. “While I work, all manner of people come up and talk to me about their towns and their lives. I’ve met a downwinder from Enterprise, pie bakers in Veyo, pony cart...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative by Cole ...

Signed on the front of print. Writing and signature on back of print. Printed in the 1940's. Vintage Gelatin Silver Print.

Initialed and dated front of mount. Negative number annotated on back of mount. Negative Code B-PC-9G. Printed in 1938.

Signed by the artist.

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on mount verso.

Artist stamp, monogrammed 'W.J.', titled in pencil and numbered in red crayon on back of mount.