Leo Matiz

Gota de Agua, Still life Vintage black and white photograph (Framed)

Unknown

Old Cars Miami 06bn, 2017, by Luca Artioli From the series "Miami Skin" Image size 45 in. H x 70 in. W. Archival Pigment Print Edition of 5 Miami Skin is one ...

Biltmore water, 2013, by Luca Artioli From the series "Miami Skin" Image size 40 in. H x 40 in. W. Archival Pigment Print Edition of 5 Miami Skin is one of the few “Still photo” project realized only in Black and White. It’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Deco District to the modern skyline of our days. Stripes, circles, squares, reflections show only some details of important buildings but they all have the power to arise emotions and unexpected shapes and volumes inside us. A final touch is reserved for nature skin from the ocean to the tropical vegetation. You need now to make an effort of imagination to discover and compose all pictures and eventually frame it in your own mind. _________________ Luca Artioli, an artist, poet and photographer recognized in Europe and around the world, has worked for years in the most vital artistic circles of world culture, such as La Scala Opera House in Milan, The Wolfsonian Museum in Miami during Art Basel, Hermès in...

Coliflores, 2021 by Dora Franco From the Bodegones series Archival Pigment Print Image size: 83 cm. H x 110 cm. W Limited Edition of 6 Unframed Photo Rag...

Trono, 2023 by Ricky Cohete Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed Black and White Photography __________________...

Black and White Photograph Archival Pigment print Medium Ed of 10 Blanco: For this black and white photography series, he used elements such as water (emotions) to narrate a story....

Metamorphosis eyes, 2015 Limited edition B&W Photograph of the original artist pencil drawing size: 33,4 H x 25.5 W inches Edition 1/8 + 1 AP. Unframed Within the series “Metamorph...

New York City based wildlife and street photographer Viet Chu, shot this black and white image of people walking on century old cobblestone in New York City. With monochrome color he...

New York City based wildlife and street photographer Viet Chu, shot this black and white image of people walking on century old cobblestone in New York City. With monochrome color he...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...

This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...