John Grant

White Peony

2010

John Grant White Peony, 2010 40x40 inches -Ed.20 Archival Pigment Print - Plexiglas Signed

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

David Pugh Untitled Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resista...

2009, pigment print photograph, 14 x 11 inches, Edition of 12 signed and numbered by the artist on the reverse

2015, pigment print photograph, 14 x 11 inches, Edition of 12

2015, pigment print photograph, 14 x 11 inches, Edition of 12, signed and numbered on reverse

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. This print may be available in another size, please contact the gallery for more information. "The Carousel. Palm Beach Zoo. West Palm...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Unique 10" x 8" Salt Paper Print toned with Selenium and Varnished with Lavender and Beeswax. The practice and potential of Photo Therapy is something that has long interested Rachel Louise Brown, so during the pandemic lockdowns, she decided to explore for herself, photography’s power to heal. Building a small studio set in her living room, she used the performative nature of self-portraiture as a tool to cope with her grief, frustration and fear, instinctively gravitating towards clowns as a subject. Alongside conjuring clown characters, having hired archival and historical outfits from the National Theatre & Clown Museum and attempted the art of clown make up, Brown was keen to learn new analogue techniques – particularly some of the earliest ones that have led to the world of photography as we know it today. Since then, Brown has attempted to master the historical alchemical process of salt printing. Invented by William Henry Fox Talbot in the mid-1830s, salt printing was the earliest photographic method capable of fixing a negative to positive image on paper. Using salt water...