Unattributed

A whirlwind of emotions #2 - Rani Bruchstein

2021

Date: 8/6/2021 Canon R. Lens: RF28-70mm f/2 L USM. Focal Length : 70 Exposure: 1/160 Sec at f/5 Iso: 100. place: Palaue de Riquer Barcelona, Spain.

Date: 16/11/2021 Canon R. Lens: RF28-70mm f/2 L USM. Focal Length : 70 Exposure: 1/160 Sec at f/6.3 Iso: 100. place: Palaue de Riquer Barcelona, Spain.

Date: 4/8/2022 Canon R. Lens: RF28-70mm f/2 L USM. Focal Length : 70 Exposure: 1/160 Sec at f/8 Iso: 100. place: Palaue de Riquer Barcelona, Spain.

Date: 16/3/2022 Canon R. Lens: RF28-70mm f/2 L USM. Focal Length : 53 Exposure: 1/160 Sec at f/5.6 Iso: 100. place: Palaue de Riquer Barcelona, Spain.

Date: 16/3/2022 Canon R. Lens: RF28-70mm f/2 L USM. Focal Length : 70 Exposure: 1/160 Sec at f/5.6 Iso: 100. place: Palaue de Riquer Barcelona, Spain.

This piece was inspired by someone who has dedicated herself to working with children's traumas. It's also available in size 60x60 cm.

Juan Lamarca Entry, 2016 Fine art archival cotton paper Image size: 30 x 45 inches Edition 1 of 16 plus 2 AP Unframed Entry, Surf Photography, B&W...

“Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future.” – The Financial Times “Mike...

Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

© Katie Eleanor, IV., Eye Infection As A Result Of Ingesting Poison Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom frame 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available Saint Wanderer’s Hospital depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen cased...

Ce tirage fait partie de la série "Regards Croisés". Autre dimension disponible - merci de contacter la galerie. « Nous allions passer l’un à coté de l’autre rapidement, sans que no...