Eduardo Chillida, Untitled, from Derriere le Miroir, 1968
1968

Name: Eduardo Chillida, Untitled, from Derriere le Miroir, 1968
Price: 590.36 CHF
Availability: InStock
Rating: 4.9 (70 reviews)

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About the Item

This exquisite woodcut by Eduardo Chillida (1924–2002), titled Sans titre (Untitled), originates from the historic 1968 folio Derriere le Miroir, No. 174. Published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by l'Imprimerie Arte, Paris, this composition reflects Chillida’s profound command of spatial rhythm, balance, and material presence. In Sans titre (Untitled), Chillida translates sculptural tension into graphic form through dense, architectonic contrasts that channel his exploration of weight, void, and equilibrium. Executed on velin paper, this woodcut measures 15 x 11 inches (38.1 x 27.9 cm). As issued, it is unsigned and unnumbered, consistent with the authorized publication format. The edition preserves Chillida’s mastery of structure, texture, and spatial resonance, affirming his ability to transform the language of sculpture into a powerful graphic abstraction. Artwork Details: Artist: Eduardo Chillida (1924–2002) Title: Sans titre (Untitled), from Derriere le Miroir, No. 174, 1968 Medium: Woodcut on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered, as issued Date: 1968 Publisher: Maeght Editeur, Paris Printer: l'Imprimerie Arte, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Derriere le Miroir, No. 174, published by Maeght Editeur, Paris Notes: Excerpted from the folio (translated from French), The illustrations of this issue were made from original woodblocks by Eduardo Chillida. The luxury edition printed in CL examples, numbered and signed by the artist, includes an original woodcut, hand-drawn on papier de Chine. Juan Daniel Fullaondo's text was translated from Spanish by Claude Esteban. About the Publication: Derriere le Miroir (translated as “Behind the Mirror”) was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists’ stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, and Eduardo Chillida. Printed in the ateliers of Mourlot and Arte, the periodical set new standards for quality in color printing, combining fine art with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir’s enduring place in the history of modern art and fine art publishing. About the Artist: Eduardo Chillida (1924–2002) was a Spanish Basque sculptor and printmaker internationally celebrated for his monumental abstract works that explore the interplay between form, space, and material. Renowned for his mastery of iron, steel, stone, and concrete, Chillida created sculptural compositions that evoke both architectural strength and poetic balance, reflecting his lifelong dialogue between the physical and the spiritual. Emerging in postwar Europe, his art stands alongside that of the great modern masters—Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Joan Miro, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray—whose revolutionary approaches to form and perception shaped 20th-century art. Chillida’s work embodies a profound sense of harmony, rooted in the landscapes and philosophies of his native Basque Country, while maintaining a universal resonance. Exhibited internationally and collected by major institutions including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, his sculptures and works on paper continue to command global acclaim. The highest price ever paid for an Eduardo Chillida artwork is approximately 4.1 million USD, achieved in 2022 at Christie’s Paris for Buscando la Luz IV (2001). Eduardo Chillida woodcut, Chillida Derriere le Miroir 174, 1968, woodcut printed by l'Imprimerie Arte, Maeght Editeur Paris.

Creation Year:
1968
Dimensions:
Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
Medium:
Woodcut
Movement & Style:
Modern
After:
Eduardo Chillida (1924 - 2002, Spanish)
Period:
1960-1969
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465215170012

Located in Brooklyn, NY

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