George Goodridge

Chakras Gone Wild #9, embossed serigraph monoprint, abstract, biomorphic

2016

Cooperative Kinetics #12, 2016, embossed serigraph monoprint on Rives 280 gram paper. Orange, green, black, gray and white. Non Objective, abstract, unique. Print size is 29.5" x 41.5"

Cooperative Kinetics #9, 2016. Hand pulled embossed serigraph monoprint on Arches Platine 310 gram paper. Orange, green, black and white. Non Objective, abstract, unique. Print size ...

Chakras Gone Wild #8, 2016. Hand pulled embossed serigraph monoprint on Arches Platine 310 gram paper. Pink, yellow, purple, gray, black, and white. Non Objective, abstract, unique. ...

Cooperative Kinetics #13, 2016. Hand pulled embossed serigraph monoprint on Arches Platine 310 gram paper. Orange, blue, black and white. Non Objective, abstract, unique. Print size ...

Arnaldo Pomodoro Untitled Mid-Century Modern Geometric Abstraction, 1968 Silkscreen with colors on rag paper with deckled edges Hand signed, numbered 44 from the edition of 80 and da...

Earth tones, an abstract lithograph by an unknown artist (American, 20th Century). Presented in a metal frame. Signed indistinctly and dated "92" lower right. Titled lower middle and...

An early abstract work, rich in visual texture and patterns with abstract leaves by Japanese print maker Kazuko. Etching pencil signed edition nu...

"Last Minute Shopping #2" is a digital print on cotton rag, acid-free paper by generative artist Stephen Boyd. Including the wood frame it measures 24x24". Based on mathematical computation, the artist has programmed thousands of lines into two grid patterns that reveal textured backgrounds, moiré effects and organic shapes that allude to motion and plant growth (among other natural processes). Stephen makes generative art (not AI art) based on Organizing Principle Ratios and Emergent Structure – all of which means the artist is programming coherent visual relationships and compositional structures into every artwork. Simple rules, repeated millions of times, result in hypnotic, beautiful images. From Stephen – "I consider myself a composer for an infinite orchestra, where each instrument plays a single note that endlessly ricochets off its neighbours." Stephen Boyd is a Toronto-based artist using code as a medium for creating prints and interactive works since 2003. For the last 20 years, Stephen has explored the idea of simple patterns written in code, repeating millions of times to create beauty through emergent structure. His work for the last five years has focused on creating generative art for print and screen. Stephen's prints and installation work have been exhibited in solo and group shows. He has presented at the Marshall McLuhan Festival, Siggraph, and held an Artist-in-Residence position at Centennial College. Stephen’s influences range from early generative artists of the 1960s such as Manfred Mohr and Vera Molnár...