George Goodridge

Cooperative Kinetics #13, 2016, embossed serigraph monoprint, abstract, blue

2016

Cooperative Kinetics #9, 2016. Hand pulled embossed serigraph monoprint on Arches Platine 310 gram paper. Orange, green, black and white. Non Objective, abstract, unique. Print size ...

Chakras Gone Wild #8, 2016. Hand pulled embossed serigraph monoprint on Arches Platine 310 gram paper. Pink, yellow, purple, gray, black, and white. Non Objective, abstract, unique. ...

Cooperative Kinetics #16, 2016. Hand pulled serigraph monoprint on Rives 270 gram paper. Orange, blue, and black ink on white rag paper. Non Objective, abstract, biomorphic, unique. ...

Cooperative Kinetics #15, 2016. Hand pulled serigraph monoprint on Rives 270 gram paper. Orange, blue, and black on white rag paper. Non Objective, abstract, biomorphic, unique. Prin...

Arnaldo Pomodoro Untitled Mid-Century Modern Geometric Abstraction, 1968 Silkscreen with colors on rag paper with deckled edges Hand signed, numbered 44 from the edition of 80 and da...

Earth tones, an abstract lithograph by an unknown artist (American, 20th Century). Presented in a metal frame. Signed indistinctly and dated "92" lower right. Titled lower middle and...

Bold geometric abstract etching by Carol Shaw (20th Century). Sharp lines - created with the use of negative space - divide the composition into sections, with shading between them. ...

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W. Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career. Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...