Judy Pfaff

Year of the Dog # 8

2009

Printed on Italian stainless steel. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City...

Printed on Italian stainless steel. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Mother Nature sure had fun with Buckley! White coat with brown spots, brown e...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 This ...

Sailing the Narrows Oil, Bitumen, Sand, Mica, Collage On Canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction ...

Sunset on the 5 Bridges Oil, Bitumen, Sand, Mica, Collage On Canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Vladimir Udatny (Russian, * 1920, † 1972) Abstract Composition • Polychromatic Monotype on heavy paper • Sheet, ca. 50 x 65 cm • Inscribed in pencil lower left & signed lower righ...

My limited edition print, 'Graffiti Mixed Media Print Orange & Aqua', is a vibrant and contemporary work of art that showcases my unique style. Inspired by my hometown of Buenos Aire...

Medium: Viscose scarf with spray paint Size: 190 x 72 cm Edition of 75, each unique Comes in a presentation box with a artist signed COA

Medium: Digital print, hand-finished with spray paint Size: 72 x 55 cm (28.3 x 21.7 in) Edition of 40, each unique. Signed and numbered verso

“I’ll find me a place by the river now and give up all my story lines.” – Van Morrison All of these paintings originated in the past year, but I suspect they truly began in 1955 after I returned from the army to complete my college education at Fresno State. Having discovered the heroic-scaled canvases of the abstract impressionists while away, I changed my major to art. Soon, after enrolling into a painting class taught by Darwin Musselman, I felt I’d be advancing from the old school to the new wave. Wrong. Musselman, an intense taskmaster, held me firm to the basics and taught me how to crawl first. The flying would come after I paid my dues. Musselman had studied at the Los Angeles Art Center and The School of Arts and Crafts in Oakland. Proficient in many styles of painting, he never shied away from demonstrating techniques he felt might spur a student’s progress. About the time I began to suspect he was controlling us all too tightly, he showed the class Hans Namath...

The Songs of the Blacks and the Blues. Original color lithograph, woodcut, gouache and oil-stick editions, 1996. Edition of 40 signed and numbered impressions on Arches paper. Louise...