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Kenneth NolandStipes1983
1983
About the Item
Kenneth Noland (1924 – 2010) is one of the most important artists and contributors to the evolution of American abstraction. He is one of the most beloved and enduring figures in the Color-Field movement.
Unlike many of his contemporaries, such as Helen Frankenthaler and Sam Gilliam, Noland was not interested in printmaking until later in his career. And once Noland began collaborating with the printmakers at Tyler Graphics (and other studios) he was more interested in using their applications to make unique one-of-a-kind artworks.
This unique and intimately-scaled monotype is an excellent example of Noland's signature forms and aesthetic from the late 1970s/early 1980s. Diagonal bands were a frequently employed motif of his, realized repeatedly through several mediums from paintings to prints.
Here, Noland challenges the strict geometric constraints, overwhelming the structure with color that appears to be either dripping, scraped or sprayed. Soft apricot, lavender, cornflower, chartreuse, grape, ocean blue and pearl shift into and out of each other, yet avoiding the clear-cut stacked diagonal field of his signature geometric arrangement.
Noland's diagonal bands, one of his most memorable and iconic motifs, serve as fine examples of his ingenuity and aesthetic, as well as a treasure from his experiments with creating monotypes.
Questions about this piece? Contact us.
Visit our Toronto gallery on Thursdays or by appointment.
"Stripes"
1983
Monotype on Japanese handmade paper mounted on board
Signed and dated by the artist, bottom right
8.5"H 12.5"W (Work, deckled edges)
17.5"H 21.75"W (Framed)
Very good condition.
- Creator:Kenneth Noland (1924-2010, American)
- Creation Year:1983
- Dimensions:Height: 8.5 in (21.59 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition,.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 05-241stDibs: LU215214537622
Kenneth Noland
Kenneth Noland was an American painter. He was known as one of the best American color field painters, although in the 1950's he was thought of as an abstract expressionist and in the 1960's as a minimalist painter. He is most famously known for his target paintings. Noland also helped establish the Washington Color School movement.
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Unlike many of his contemporaries, such as Helen Frankenthaler and Sam Gilliam, Noland nearly rejected printmaking until later in his career. And once Noland began collaborating with the printmakers at Tyler Graphics (and other studios) he was more interested in using their applications to make unique one-of-a-kind artworks.
This unique and intimately-scaled monotype is an excellent example of Noland's signature forms and aesthetic from the late 1970s/early 1980s. The chevron was a frequently employed motif of his, first debuting around 1963 and realized repeatedly through the years in different styles and medium.
Here, Noland dissolves the strict geometric lines of his signature chevron or pointed "V", overwhelming the structure with color that appears to be either smeared, splattered or scraped. Lavender, pale rose, mauve, cornflower, chartreuse, ocean blue, ivory and pearl shift into and out of each other, yet avoiding the clear-cut stacked triangular outline of his signature chevron arrangement.
Noland's chevrons are some of the most iconic and desirable works in the 20th-century art canon. This piece is a fine example of one of Noland's creations that showcases his ingenuity and mastery of color.
Questions about this piece? Contact us.
Visit our Toronto gallery on Thursdays or by appointment.
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