Marjorie S. Kubach

Untitled: Yellow, Green and Black Lithograph

Late 20th Century

Maurice Élie Sarthou (French, 1911-1999) "Composition" Edition 209/220, Abstract Lithograph signed and numbered in Pencil, 18.50 x 24.63, Late 20th Century, ca. 1960s Colors: Green, Black, Yellow, Purple, Orange Sarthou was born in Bayonne on January 15, 1911; an orphan following the death of his father during the First World War, he was raised by his mother and grandfather in Montpellier. After high school, in 1927, he obtained the authorization to enter the Beaux-Arts of the city provided he prepared architecture. After a year, he persuades his family to let him study at the painting studio. He first attended a training at the School of Fine Arts in Montpellier; Then in 1930, a fellow of the city of Montpellier as the ward of the nation, he entered the Beaux-Arts in Paris. In 1934, birth of Francine, his daughter. To make a living, he introduces himself to the drawing faculty. He was appointed to Bastia, then in 1937 to Bordeaux. In 1939, 1940 and 1941, he made war in the transmissions. In 1943, he became a member of the Société des Artistes Indépendants Bordelais, which regularly organizes exhibitions of Parisian artists (Bissière, Lhote, Walch, etc.); this has a positive influence on him; Artistic emulation allows him to assert his style even more intensely. In 1948 he met the writer Raymond Guérin who introduced him to Maurice Toesca, Marcel Arland and, later, Jean Paulhan. In 1950, he illustrated Raymond Guérin's book "Testamentary fragment". In 1949 he was chosen by Jacques Lassaigne, who came to Bordeaux to preside over the regional selection of the Prix de la Jeune Peinture. He won the price Drouant, the first mention of the price (fourth prize on more than 90 competitors, including Lagrange, Lapoujade, Rebeyrolle, also mentioned). In the jury, Gaston Diehl noticed him and invited him to the Salon de Mai of which he is the founder. It is the first manifestation of Sarthou with the Parisian public with two paintings: "Still life" and "Open window". He will participate in this show until 1963. He moved to Paris in 1950, where he was appointed professor of drawing at Lycée Henri IV, which allowed him to exhibit in the salons of the capital and to be more recognized. From 1950, around Jean Paulhan, meet at the arena of Lutetia, on Sunday morning, to play bowls: Maurice Toesca, Jerome Lindon, Yves Berger...

Unknown/ Unidentified Artist "Untitled: Multicolored Abstract Curved Linear Lithograph" Edition 2/300, Abstract Lithograph signed and numbered in Pencil, 19.38 x 27.25, Late 20th Ce...

Allen Kubach (American) "Untitled: Blue Linear Abstract on Green" , Oil on Canvas, Monogram signed on rear canvas, Late 20th Century, 1997 Colors: Blue and Green Allen Kubach and Marjorie Shaw Kubach were two married artists who explored their artistic styles together throughout their careers. The artists showed their works largely throughout New Jersey and New York, sometimes joining together for the same exhibits. The works that Detour Gallery has acquired are representative of the pair’s time in which they explored abstraction. These works were made in a postwar era, following the art world’s shifted focus on New York as the center for new modern art. Art at this time was evolving, and the experimentation of abstract expressionism, geometric abstraction, and minimalism evidently paved the path for later artists such as Allen and Marjorie. As noted in the New York Times by Vivian Reynor, Allen Kubach “specializes in strong colors, expressing them in vertical and diagonal grids laid one on top of another.” In such a manner, Allan reflects these contemporary ideals that were taking New York by storm in the 1960’s and 70’s. The linear focus and non objective use of color found in Allen’s work correlates to that of the pioneers of abstract and minimalistic work such as Sol Le Witt...

Marta Villoslada (Spanish 1973 - ) "Untitled: Green Country Landscape" Edition 1/100, Abstract Serigraph signed and numbered in Pencil, 19 x 23.25, Late...

Pierre MONTHEILLET (1923-2011) Composition in green and yellow Mixed media on paper - monotype Signed and dedicated “pour mes amis Sallaz” lower right Dimensions of the work: 28.5 x ...

Contemporary abstract expressionist acrylic in green on paper by French artist Christian Manoury. Signed bottom right. Dated 2020 and signed to the r...

"I don’t see shapes as much as I see the energy of elements interacting to move, stop, support or explode. I mostly use clean bright color to keep my world hot and alive. My painting...

Abstract watercolor with layered green and yellow tones by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed verso ...