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Paul FournierSpace City Forest 1/7 - contemporary, abstract, digital collage print2014
2014
$6,500
£4,991.38
€5,725.89
CA$9,133.26
A$10,228.68
CHF 5,337.16
MX$124,938.90
NOK 67,904.16
SEK 64,007.81
DKK 42,731.64
About the Item
This contemporary abstract colorful collage is a print made by Paul Fournier.
The distinctive ethereal styling of Paul Fournier, a significant Canadian abstract artist is found in this digital image representing space. Fournier’s gift lies in his ability to explore the limitless potential of color and expressive form to create new fantastical worlds. The Space City series was created during an Ontario College of Art residency in 2014 where he learned about and experimented with digital tools. Fournier is highly regarded as a master colorist and a superb draughtsman who paints—free form, without a sketch. Known for his intuitive sense of color, the vivid palette in this limited series—yellow, blue, orange, turquoise, white and green excites the eye. Edition 1 of 7. Print size is 35.25 x 44.25, Unframed.
“Outer Space is a strange world to me…a different world. It makes me think about Star Trek…and seeking brave new frontiers…” Paul Fournier
“His best works continue to be joyous metaphors for intense feelings about the natural world, filtered through experience of the painters he admires most, and translated into a non-specific language of gesture, inflection and color.” Karen Wilkin, Art Critic
Paul Fournier was born during the Great Depression in Simcoe, Ontario. He first studied at the Ontario College of Art and Design in 1959 and went on to study printmaking at McMaster University in Hamilton in 1967. Fournier also received an Honorary Doctor of Laws from McMaster in 1996 where he’d also been the artist in residence. During a career that spans six decades, Fournier has had solo exhibitions in several Canadian cities and in the U.S. His work is held in private collections in North and South America, and Europe. Public collections include the Art Gallery of Ontario, the National Gallery of Canada, the Sculpture Garden in Washington and the Tate Museum in London.
- Creator:Paul Fournier (1939, Canadian)
- Creation Year:2014
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomfield, CA
- Reference Number:1stDibs: LU29115842712
Paul Fournier
Paul Fournier (b. 1939, Simcoe, ON) first emerged within a movement of third-generation non-figurative painters who worked in Toronto during the 1960s. His peers included Milly Ristvedt, K.M. Graham, David Bolduc and others exploring techniques and forms of post-painterly abstraction. Fournier began studies in 1959 at the Ontario College of Art and Design. He soon became known for his use of bright fauvist colours for which he was dubbed an "exotic modernist" by New York art critic Donald Kuspit. Fauvism was a post-impressionist movement in France characterized by the "wild' use of colour. Fournier has had major solo exhibitions in Toronto, Guelph, Hamilton, Edmonton, Houston and Washington, D.C. His work was selected by critic Andrew Hudson for 14 Canadians: A Critic's Choice at the Hirshhorn Museum and Sculpture Garden and by Boston Museum of Fine Arts curator Kenworth Moffett for inclusion in The new Generation: A Curator's Choice at the Andre Emmerich Gallery in New York. In 1996, Fournier received an Honorary Doctor of Laws from Sir Wilfrid Laurier University. His paintings and graphics are included in most major public collections, including the National Gallery of Canada, the Art Gallery of Ontario, and the Tate Museum, as well as in private collections in the United States, South America and Europe. "...Paul Fournier’s canvases seemed typical of his generation of Toronto painters. Like his colleagues K. M. Graham, Daniel Solomon, Paul Hunter and David Bolduc, Fournier demonstrated an almost Fauvist sense of color and an ability to be both playful and lyrical in the same picture. Like them, too, he clearly admired Matisse and Jack Bush. Yet Fournier’s pictures were and have remained stubbornly personal, in a challenging territory of his own, a narrow zone between reference and invention." Karen Wilkin, Canadian Art, 1991.
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