Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

(after) Pablo Picasso
Le Goût de Bonheur: one plate (Croquis)

1970

About the Item

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reproductions of Picasso drawings Sheet Size: 13" x 10" It was produced under the direct supervision of Pablo Picasso Excellent Conditions Picasso - Le Gout Du Bonheur - A Suite Of Happy, Playful And Erotic Drawings - This is the sole edition of re-creations that will ever be made of these unpublished drawings - three publishers have collaborated in its creation - the porfolios have been numbered from 1 to 666. Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art. Early life Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms. Updates in style During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time. Russian ballet In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa Walter and Dora Maar. Pablo Picasso remarried Jacqueline Roque in 1961; the couple remained married until his death 12 years later, in 1973. Work as a pacifist Pablo Picasso was a pacifist, and large scale paintings he created, showcased this cry for peace, and change during the time. A 1937 piece he created, after the German bombing of Guernica, was one such influential piece of the time. Not only did this become his most famous piece of art work, but the piece which showed the brutality of war, and death, also made him a prominent political figure of the time. To sell his work, and the message he believed in, art, politics, and eccentricity, were among his main selling points. Conflicting with social views Many things Pablo Picasso did during the 1950s, conflicted with the general public. Viciousness towards his children, exaggerated virility towards women, and joining the Communist party, were some of the many scandals which he was involved in during his lifetime. Although most of the things he did were viewed negatively by a minority of the general public, admirers of Pablo Picasso turned a blind eye, and still accepted him as a prominent figure in their society. Following the end of WWII, Pablo Picasso turned back towards his classic style of work, and he created the "Dove of Peace." Even though he became a member of the Communist party, and supported Stalin and his political views and rule, Pablo Picasso could do no wrong. In the eyes of his admirers and supporters, he was still a prominent figure, and one which they would follow, regardless of what wrongs he did. He was not only an influence because of the works he created, but he was also an influential figure in the political realm. Influence outside of art Although Pablo Picasso is mainly known for his influence to the art world, he was an extremely prominent figure during his time, and to the 20th century in general. He spread his influences to the art world, but also to many aspects of the cultural realm of life as well. He played several roles in film, where he always portrayed himself; he also followed a bohemian lifestyle, and seemed to take liberties as he chose, even during the later stages of his life. He even died in style, while hosting a dinner party in his home. Collection of work Pablo Picasso is recognized as the world's most prolific painter. His career spanned over a 78 year period, in which he created: 13,500 paintings, 100,000 prints and engravings, and 34,000 illustrations which were used in books. He also produced 300 sculptures and ceramic pieces during this expansive career. It is also estimated that over 350 pieces which he created during his career, have been stolen; this is a figure that is far higher than any other artist throughout history. Sale of his works Pablo Picasso has also sold more pieces, and his works have brought in higher profit margins, than any other artist of his time. His pieces rank among the most expensive art works to be created; with a price tag of $104 million, Garson a la Pipe, was sold in 2004. Although he had a conflicting lifestyle, Pablo Picasso was admired by many, and was one of the most influential figures of his time. Not only during his life, but also after his death, he is still one of the most well known artists, and political figures, of his time. With thousands of pieces to his name, and art works which have been seen by millions, around the world, he has been a great influence to society, he has influenced the art world, and he introduced many new styles of art, which helped shape modern art, and modern styles artists follow today.
  • Creator:
    (after) Pablo Picasso (1881 - 1973, Spanish)
  • Creation Year:
    1970
  • Dimensions:
    Height: 13 in (33.02 cm)Width: 10 in (25.4 cm)Depth: 0.1 in (2.54 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Collonge Bellerive, Geneve, CH
  • Reference Number:
    1stDibs: LU16122543283
More From This SellerView All
  • Pablo Picasso - Les Banderillas - Original Lithograph
    By Pablo Picasso
    Located in Collonge Bellerive, Geneve, CH
    Original Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Picasso is not just a man and his work. Picasso is always a legend, indeed almos...
    Category

    1960s Modern Animal Prints

    Materials

    Lithograph

  • Pablo Picasso - La Petite Corrida - Original Lithograph
    By Pablo Picasso
    Located in Collonge Bellerive, Geneve, CH
    Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...
    Category

    1950s Modern Figurative Prints

    Materials

    Lithograph

  • Georges Braque - Original Lithograph
    By Georges Braque
    Located in Collonge Bellerive, Geneve, CH
    Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Emilio Vedova - Original Lithograph
    By Emilio Vedova
    Located in Collonge Bellerive, Geneve, CH
    Emilio Vedova - Original Lithograph Abstraction 1961 From the art revue XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Alfred Manessier - Lithograph
    By Alfred Manessier
    Located in Collonge Bellerive, Geneve, CH
    Alfred Manessier - Lithograph 1962 From the art periodical XXe Siecle (no. 20) Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unnumbered as issued
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

  • Alfred Manessier - Original Lithograph
    By Alfred Manessier
    Located in Collonge Bellerive, Geneve, CH
    Alfred Manessier - Original Lithograph Colorful Abstraction 1962 From XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph

You May Also Like
  • Original "Wonderful Copenhagen" vintage travel poster
    Located in Spokane, WA
    Original vintage poster: WONDERFUL COPENHAGEN created by the artist Viggo Vagnby. This antique poster is archival linen backed, in excellent co...
    Category

    1950s American Modern Animal Prints

    Materials

    Lithograph

  • "Lion Tamer" framed signed lithograph by Alexander Calder. Edition EA of 100.
    By Alexander Calder
    Located in Boca Raton, FL
    "Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...
    Category

    1970s Modern Animal Prints

    Materials

    Lithograph

  • Fetching the Doctor (In Haste for the Doctor)
    By Edmund Blampied
    Located in Storrs, CT
    Fetching the Doctor (In Haste for the Doctor) 1930. Lithograph. Appleby Lithographs 24. 11 x 16 (sheet 13 3/8 x 18 1/2). Edition 50. Illustration used as a ...
    Category

    Early 20th Century Modern Animal Prints

    Materials

    Lithograph

  • Modern Israeli Lithograph Reuven Rubin Views Of Israel Judaica Crowing Rooster
    By Reuven Rubin
    Located in Surfside, FL
    Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lit...
    Category

    1960s Modern Figurative Prints

    Materials

    Lithograph, Offset

  • Alexander Calder Circus Reproduction Lithograph After a Drawing
    By (after) Alexander Calder
    Located in Surfside, FL
    (after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray...
    Category

    1930s American Modern Animal Prints

    Materials

    Lithograph

  • Alexander Calder Circus Reproduction Lithograph After a Drawing
    By (after) Alexander Calder
    Located in Surfside, FL
    (after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray...
    Category

    1930s American Modern Animal Prints

    Materials

    Lithograph

Recently Viewed

View All