Medium Animal Prints

Comfort Me Conures Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in ...

Laid-Back Lemur Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 27 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in ...

Reflecting Ram Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 30 in Edition of 15 $3000 40 x 40 in Edition of 10...

Be Here Bison Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in ...

Be Here Bison Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 80 x 53 in Edition of 3 In this series...

Pondering Parrot Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 30 in Edition of 15 40 x 40 in Edition of 12 60 x 60 in ...

Go Giraffe Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 23 in Edition of 15 40 x 30 in Edition of 12 60 x 45 in E...

Calm Caribou Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 32 in Edition of 15 40 x 42 in Edition of 12 60 x 62 in ...

Present Pied Crow Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes 30 x 20 in Edition of 15 40 x 27 in Edition of 12 60 x 40 in...

Be There Bear Series: Meditations Photo-based painting on Canson Infinity Rag Photographique Available sizes: 21"x28" $2,500.00 Edition of 15 30"x40" $4,000.00 Edition of 12 4...

Three Eyes from the Icons series. Screen print in colors with embossing on Arches cover paper. Hand signed, dated and numbered by the executor of the Haring estate, Julia Gruen, in p...

Swans. 1976., Paper, linocut, print size 52x51 cm; page size 80x65 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The ma...

Artist: Dan May (American, 1955-) Title: "Party Pig" *Signed by May in pencil lower left Year: 1989 Medium: Original Monoprint on unbranded white cotton rag laid paper Limited editio...

The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...

Shadow of Camels is an etching realized by Tullio Diamanti in 1980.  Hand signed. In very good condition.

ZDZISŁAW WIATR (born 1960) He graduated from the Academy of Fine Arts in Cracow, at the Faculty of Graphic Arts in Katowice, where in 1986 he received a diploma with the honourable m...

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

Shadow of Camels is an etching realized by Tullio Diamanti in 1980.  Hand signed. In very good condition.

Color lithograph, Edition 15. Signed by artist. The artist describes this project: I create meticulously rendered, miniature portraits of endangered animals to highlight issues rel...

The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...

Mel Hunter, American (1927 - 2004) - Apaloosa, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm), Descrip...

Mel Hunter, American (1927 - 2004) - Morgan, Year: 1974, Medium: Lithograph on Arches, Signed and numbered in pencil, Edition: 500, Image Size: 16 x 20 inches, Size: 22 in. x 29...

Chris Forrest, American (1946 - ) - Green Mt. Overlook, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 24 inches, Size: 23 in. x 2...

Mel Hunter, American (1927 - 2004) - Tennessee Walker, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 67/500, Size: 22 x 29.5 in. (55.88 x 74.93 cm), Des...

Chris Forrest, American (1946 - ) - Wild Geese, Year: Circa 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 40, Image Size: 18 x 23 inches, Size: 23 in...

Chris Forrest, American (1946 - ) - Common Terns, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 23 inches, Size: 23 in. x 29 in....

This Blue Dog work consists of 3 animals sitting in a warm park scene of pink sky, blue bushes, black tree and green grass. The main animal is the blue dog with a gray cat on one side and a brown & white dog...

This artwork titled "Winter Dream" 1989 is an original stonecut on thin tissue paper by noted Canadian/Inuit artist Pudlo Pudlat, 1916-1992. It is hand signed, titled, dated. describ...

"Finest Hope" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition number, 182/300, in the lower left with graphite...

"Majestic Manner" is an original color lithograph by Michael Knigin. The artist signed the piece lower right and titled it lower center. This piece features a swan in front of an abs...

This artwork titled "Chauve-Souris in a Looking-Glass against a Window" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by ren...

This artwork titled "Sheet of Studies, Heads" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham ...

This artwork titled "Sheet of Studies, Comparaisons: Machines and Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches pap...

This artwork titled "Sheet of Studies, Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist...

This artwork titled "Ants" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland, ...

"Two Horses from Homage to Marino Marini" is an original color lithograph signed in stone by Marino Marini. It depicts a horse and rider in abstracted contour lines and black shapes ...

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Insekt II is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching. Hand signed and dated by the artist on the lower right margin....

"Blue Bunny" is an original woodcut print signed by the artist Santiago Moix. It depicts a blue rabbit juggling yellow apples. 26 1/2" x 25 7/8" art 29 1/8" x 29 3/4" frame Santia...

Pigment print on paper mounted to museum-grade acrylic

"Royal Applause" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and editioned/titled it lower left with graphite. This piece features two yellow-headed birds known as Gannet Seabirds. To the right of the birds is shown a rendition of an ornate wood...

Muench, John (American, 1914-1993). THE ONE THAT GOT AWAY. Color Lithograph, not dated. Edition of 25. Signed, titles and numbered, all in pencil...

Crow is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in 1972. Original black and white etching on paper. Hand Signed on the lower right margin, da...

Lamur is an artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching on cardboard. Hand Signed and dated on the lower right margin a...

This Blue Dog work consists of a background of brown, pink, gray and blue with a black tree. to the left of the tree is a blue dog and forward is a red dog. Both dogs have soulful ...

Crow on the Branch is an artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching on cardboard. Hand Signed and dated on the lower r...

Hand Signed. Edition of 150 prints in Arabic numbers plus 30 prints in roman numbers. Excellent conditions.

Gulls by Dody Müller, American Date: 1979 Lithograph, signed, titled, numbered and dated in pencil Edition of 250 Size: 22 x 30 in. (55.88 x 76.2 cm)

Girafe is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower in pencil. Edition 3/150. Good conditions, except...

The Lemur is an original etching print realized by Leo Guida in 1970. Hand-signed on the lower right and dated in pencil. Artist's proof, from the edition of 30 prints. Tiled on th...

"Pajaro" is an original black and white lithograph by Arturo A. Secunda. It depicts a parrot. The artist signed the piece in the lower right and wrote the title and the edition number (27/100) in the lower left. 11 1/2" x 17 1/2" art 22 3/4" x 28 1/2" frame Arthur Secunda is an internationally renowned artist whose career has spanned five decades. His one man shows have been seen worldwide in numerous galleries and museums in France, Sweden, Belgium, Holland, Spain, Israel, and Japan. In the United States, he is represented in most major museums of the country, including the National Gallery of Art and the Smithsonian Museum in Washington D.C., the Museum of Modern Art in New York, the UCLA Museum, the Detroit Art Institute, and the Phoenix Museum. Known for his brilliant collages and striking graphics, Secunda has mastered all types of printmaking, even making his own paper in France and Japan. His impressive body of work includes painting, mixed media, polyester assemblage, ceramics and welded sculpture. His studies began at the Detroit Art Institute as a teenager, and continued in New York at the Art Students League and New York University. After a stint in the Air Force as an artist, he then studied, thanks to the GI bill, in Mexico, Paris and Italy, with many great artists and teachers, beginning a lifelong propensity for travel-- living and working in other countries. For decades, he maintained studios in Paris and LA. He considers himself a landscape artist, and has developed his own iconography in representing nature, the land and its forms, as well as corresponding inner landscapes. He is known for a specific kind of color gradation and blending of forms in many media. His work tends to oscillate between the serene--striated colors in landscapes--to the expressive, as in many of his oil paintings. After years in Paris, Secunda has maintained a studio in Scottsdale for the last decade--doing what he has done in all of the other places he has liv ed and worked in the last 50 years--creating imagery. He has worked as a jazz musician--in Paris in the early days to support himself, and as a milkman; as an art critic, lecturer, curator, writer and publisher. Periodically, he consults at NASA where he is an image visualizer, helping translate scientific data into visual images. Highly respected as a teacher, he will spend August in Lacoste, France teaching a master class in collage and the creation of handmade artists books. (Secunda has an international following of people who subscribe and collect his dada art "books".) Next year, he will have a one man exhibition at the University of Judaism in Los Angeles, presenting a never before seen series of expressive portrait monotypes of noted art personalities, after which he will exhibit early Mexican woodcuts...

Bull, from Images by Elisabeth Frink, 1967 Additional information: Medium: lithograph 79 x 59 cm 31 1/8 x 23 1/4 in signed and inscribed 'D' in pencil Dame Elisabeth Jean Frank was an English sculptor and printmaker. Born in Thurlow, Suffolk, Frink studied at the Guildford School of Art (1946–1949), under Willi Soukop...

Ed Ruscha (American, born 1937) Insect Slant (Ants), from Reality and Paradoxes, 1973 Medium: Lithograph and screenprint, on Rives BFK paper Dimensions: 55.9 x 76.2 cm (22 x 30 in) E...

The Woman With Bird is an original colored Lithograph realized by Oscar Pelosi during the 1980s . The artwork is hand-signed in pencil by the artist on the lower right. Numbered, o...

Deers is an original Lithograph realized by Orfeo Vitali in the 1970. Hand-signed. Numbered. Edition of /100. The artwork is depicted in harmonious colors in a well-balanced compo...

Limited edition of 100 prints, numbered and signed by the Artist. Excellent condition.

This Blue Dog work consists of a single dog sitting in a pink box with a blue bow and a lit candle next to the box. The background is gold with black stars a...

The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

Lamur is an etching print realized by Leo Guida in 1972. Hand-signed on the lower right and dated in pencil. Numbered on the lower left, the edition of 30 prints. Good condition. ...

Flight of the Rat (Volo del ratto) is an original Contemporary artwork realized in 1973 by the italian Contemporary artist Leo Guida (1992 - 2017). Original colored etching on i...