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FaileRed Dog (limited edition print with gold foil) by famous Street Art Pop Artists2018
2018
$1,000
£759.52
€877.50
CA$1,401.54
A$1,568.58
CHF 818.68
MX$19,128.62
NOK 10,477.98
SEK 9,918.75
DKK 6,548.68
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About the Item
FAILE
Red Dog, 2018
Offset Print with gold foil on Lenox 100 paper. Faile studio stamp on the back
Annotated and hand signed in pencil on the lower front with studio stamp on the back
28 × 22 inches
Unframed
Faile’s Red Dog was originally produced in 2018 as a limited edition—rather than numbering the print as an edition of say 50 or 100, the print was available during a limited amount of time to any buyer who was online at the time of sale. Faile’s dog has become a symbol for the artistic duo themselves. The dog stencil has been wheatpasted throughout Shoreditch, London and Brooklyn, New York, becoming as frequent and recognizable as Shepard Fairey’s “Obey” wheatpastes.
Hand signed and annotated on the front with Faile studio stamp on the back
More about Faile:
Faile is a collective founded in 1999 by Patrick McNeil (born in 1975 in Edmonton, Alberta), Patrick Mille (born in 1976 in Minneapolis, Minnesota) and Aiko Nakagawa, who left the group in late 2006. The name Faile is an anagram of their first project, entitled “A life”. As they studied in an art and design school, they learnt the many techniques related to painting and printing. Silk-screen printing and stencil remain the basis of their works, where different worlds collide : retro, fifties/seventies pulp, pop art; they also combine a clever mix of typhographies. Faile admit they were influenced by Robert Rauschenberg, Stanley Kubrick, Andy Warhol, Cy Twombly, and Lichtenstein…In 2010, their Deluxx Fluxx exhibition, in collaboration with BAST, was a success. They created an arcade game world with revisited consoles. That same year, another exhibition was held in Lisbon as part of the Portugal Arte 10 Festival. They built an emblematic temple made of marble, ceramic and metal. They also made a lot of frescoes, including one in New York, in September 2013. The universe and the skills of this pair are widely recognized on the international scene of urban art.
Faile Biography:
FAILE is the Brooklyn-based artistic collaboration between Patrick McNeil and Patrick Miller.
Their name is an anagram of their first project, “A life.” Since its inception in 1999, FAILE has been known for a wide ranging multimedia practice recognizable for its explorations of duality through a fragmented style of appropriation and collage. While painting and printmaking remain central to their approach, over the past decade FAILE has adapted its signature mass culture-driven iconography to vast array of materials and techniques, from wooden boxes and window pallets to more traditional canvas, prints, sculptures, stencils, installation, and prayer wheels. FAILE’s work is constructed from found visual imagery, and blurs the line between “high” and “low” culture, but recent exhibitions demonstrate an emphasis on audience participation, a critique of consumerism, and the incorporation of religious media, architecture, and site-specific/archival research into their work.
- Creator:Faile (American)
- Creation Year:2018
- Dimensions:Height: 28 in (71.12 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212520862
Faile
The art collective Faile, is formed by Patrick Miller and Patrick McNeil. Both artists met at school and studied graphic design. In 1999 they formed a group with the nickname A-Life, under which (and under the influence of a young Shepard Fairey) they began to wheatpaste their posters around the big American cities. Soon they met who would become a third temporary member, the Japanese Aiko Nakagawa. In 2006, she would leave the group to start her own solo career and today is known as Lady Aiko. After an arrest, precisely for wheatpasting, they changed the name of the group to Faile (anagram of A-Life). Soon after they already had created an image and began to expand their brand to other continents sticking their designs on the streets of other cities in Europe and Asia. Like Obey, this group aims to create social criticism, generate artistic interest and awareness. Faile was part of that group of young emerging artists of the urban subculture that promoted the art in the streets. With their printed impressions, Faile promotes the access of the artwork to the general public at affordable prices. They began working with the stencil, preferring this technique because their work would have more durability. Gradually they combined it with painting, mixed media and collage. Thanks to his extensive knowledge in printing techniques, these two artists have taken the collage to another level and in his works can see how many printed layers are superimposed on top of each other to later be torn, suggesting the lower layers. As Mimmo Rotella did a few decades before, Faile creates their own version of the decollage technique. The work of these artists is highly influenced by the comic, film and fiction novels. If we look at the aesthetics of their work we can see how this neo pop art presented to us, represents its own modern version of the aesthetics of Roy Lichtenstein and, as already mentioned, an improved technique of Mimmo Rotella's decollage. All their works explore the world of contradictions and how they complement each other, based on the theory of yin-yang. So opposites as love and hatred, violence and peace or beauty and ugliness share the limelight in their paintings. Faile members currently reside in Brooklyn, New York, where they have their workshop. Their current creations explore media, from traditional canvas to other more diverse as wood or glass. They also have a very prolific activity by editing their own limited edition prints, and creating their own line of merchandising. So far they have published four books with their works entitled "Orange", "Death", "Boredom" and "Lavender”. Their works are internationally recognized and has been exhibited in major galleries around the world. Some of them have come to get tens of thousands of euros.
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