Jean Cocteau

Dancing Griffin - Lithograph

Salvador DALI (after) The Blue Owl Lithograph Printed signature in the plate Printed in Matthieu workshop Edited by J. Schneider for the Dali exhibition at Galerie Orangerie in 198...

Jean COCTEAU Dancing Griffin Lithograph Printed signature in the plate On vellum : 50 x 36 cm (c. 20 x 14 in) Bears the stamp of the artist Excellent condition

Max Ernst (1891-1976) Surrealist Dream : Couple of Roosters, 1970 Original color lithograph Printed signature in the plate On Arches vellum 33.5 × 61 cm (c. 13 x 24 in) REFERENCES...

after Salvador DALI (1904-1969) France : Auvergne, 1969 Lithograph and heliogravure Printed signature in the plate bottom right Tall model, from the 700 unumbered edition Printed in...

Corneille Tribute to Mozart : Firebird, 1991 Original lithograph Handsigned Numbered EA /30 On vellum 50 x 65 cm (c. 20 x 26 inch) Excellent condition

Corneille The Bug, 1999 Original lithograph Handsigned Numbered EA /25 On vellum 63 x 46 cm (c. 25 x 18 inch) Excellent condition

Marino Marini - Horse and Rider - Original Lithograph 1963 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

The Lion Eating Straw Like The Ox refers to the following text...The wolf and the lamb shall feed together, and the lion shall eat straw like th...

Artist: Joan Miro Title: Le Chien Aboyant a La Lune "Barking Dog" Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Year: 1953 Edition: 6000 Framed Size: 21 1/2" x 28 1/4 Sheet S...

El Ultimo Viaje Del Buque Fantasma by Wifredo Lam, Cuban (1902–1982) Year: 1976 Lithograph, signed and numbered in pencil Edition of EA XIII/XX Size: 30 x 21.75 in. (76.2 x 55.25 cm)

SELVAGGIA is an original hand drawn limited edition lithograph by the Argentine woman artist Norma Bessouet printed using hand lithography techniques on Arches paper, 10% acid free. SELVAGGIA is unframed, in mint condition, full bleed image, hand torn edges, signed in pencil by Ms. Bessouet. Print size - 28.5 x 20.5 inches, unframed, excellent condition, pencil signed by Norma Bessouet Edition size - 150 Year printed - 1986 Printer - JK Fine Art Editions Co. NYC Bessouet, born in Argentina, schooled in Argentina, London and in Italy, where she was able to look to the works of the Old Masters for inspiration. She refers to the artists of the Italian quattrocento along with Velazquez and El Greco as her muses, and traces of these historic artists shine through in her paintings. Her work is in numerous private and public collections throughout the world. Bessouet's art focused primarily around portraits, domesticity and the female nude. In the original print, SELVAGGIA, Norma Bessouet merges certain Latin American strands of literary magic realism with Surrealism and presents a portrait of an androgynous seated figure, with bald head, serene facial expression, wearing a full length ombre shaded robe, cradling a large, long-beak bird. Ms. Bessouet's sensitive, masterly drawing expresses a fantasy doll...

La grande Parade des Chats Original Illustrations by Leonor Fini Containing sixty illustrations This is from a unique special run being one of only 35 copies produced for personal use by Leonor Fini these were numbered EA 1 to EA 35 This example being EA 9 and has been personally dedicated and signed by the artist to her friend Philippe Aetmann A mid century modern artist Leonor Fini 1907-1996 There was a small run of this Limited Edition in total 250 copies numbered and signed by the artist with 230 copies printed on hand made Arches paper and another 20 on Japon nacre Through time most of these books have been been split up and the illustrations sold off individually Consequently there are very few complete examples remaining Original printed hardcover containing the book itself printed with winged cats (reference to her Sphinx women) Unique copy in very good condition with only minor signs of age Leonor Fini (1907–1996) is considered one of the most important women artists of the twentieth century and also one of the most misunderstood. Frequently labeled a surrealist she was never a member of that group or movement, preferring to stake her own claim on modernism with a vision that owes more to the farthest shores of her imagination than to any affiliation with art trends, schools or movements. The originality of her art as well as her intelligence, famous wit and charisma accorded her celebrity status in the Paris art world and beyond beginning in the late thirties. Often eclipsing and even compromising her standing as a major artist was the originality and impact of her personal style. Her panache and glamour, once they found a place in the collective imagination of the time, turned her into a much-publicized fashion and feminist icon. Always controversial, with as many detractors as admirers, she lived and painted consummately on her own terms. Born in Buenos Aires of mixed Spanish, Italian, Argentine and Slavic blood, Leonor was raised in Trieste by her single mother where she absorbed the multi-ethnic and mixed cultural heritage of that cosmopolitan center. The predominant themes in Leonor Fini’s art are sexual tensions, mysteries and games. One of her favored subjects is the interplay between the dominant female and the passive male, and in many of her most powerful works the female takes the form of the sphinx to which she felt a strong identification. Her genius for stage and screen design is evident in her numerous ground breaking theater decors...