LeRoy NEIMAN Large Authentic Color Serigraph Polar Bears Hand Signed Artwork SBO
View Similar Items
LeRoy NeimanLeRoy NEIMAN Large Authentic Color Serigraph Polar Bears Hand Signed Artwork SBO
About the Item
- Creator:LeRoy Neiman (1921 - 2012, American)
- Dimensions:Height: 50 in (127 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:Edition of 300Price: $3,395
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomington, MN
- Reference Number:1stDibs: LU123016599422
LeRoy Neiman
LeRoy Neiman, born LeRoy Runquist, is best known for his vibrantly colored paintings and screen prints, which draw on Impressionism and Pop Art and frequently feature portraits of athletes and musicians as well as depictions of sporting events. He is renowned for creating art during live coverage of the Olympics and other major American and international sports competitions. He once commented, “I use (bold) color to emphasize the scent, the spirit, and the feeling of the thing I’ve experienced.”
Born in Saint Paul, Minnesota, Neiman showed an early aptitude for drawing. After returning home from WWII, he studied at the Saint Paul School of Art and the School of the Art Institute of Chicago (SAIC), where his classmates included Robert Indiana and Leon Golub. Upon graduation in 1950, he began teaching at SAIC.
In 1953, his oil painting Idle Boats won first prize at the Twin City Show, where the Minneapolis Art Institute purchased it. Neiman’s reputation quickly grew, and museums such as the Carnegie Pittsburgh International Exhibition of Contemporary Painting, the Art Institute of Chicago and the Corcoran Gallery of Art in Washington purchased his works.
In 1954, Neiman’s famous association with Playboy magazine began to take shape. Hugh Hefner commissioned Neiman to create an illustration for this fledgling magazine, and his piece won the 1954 Chicago Art Directors Award. This led to a relationship with Playboy that lasted five decades and included Neiman writing and illustrating the “Man at His Leisure” section and the creation of the well-known “Femlin” — a female nymph wearing only opera gloves, stockings and high heels — which appeared on the “Party Jokes” page in every issue since 1955.
In 1970, the 5th Dimension commissioned Neiman to create a cover illustration for the pop group’s album Portrait. In 1994, he created the illustration used for the playbill and the immense Broadway mural for the musical Busker Alley. He was inducted as a Laureate of The Lincoln Academy of Illinois and awarded the highest honor of the state of Illinois, the Order of Lincoln, in 2009.
Today, you can find Neiman’s works in the collections of the Smithsonian American Art Museum in Washington, the Art Institute of Chicago, and the Indianapolis Museum of Art (Newfields), among others.
On 1stDibs, find LeRoy Neiman prints, drawings, paintings and more.
- Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post ImpressionistBy Marie LaurencinLocated in Surfside, FLMarie Laurencin (French, 1883-1956) Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle, Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame. Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D. Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...Category
Mid-20th Century Post-Impressionist Animal Prints
MaterialsLithograph
- Man & Beast by Orovida Pissarro - EtchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...Category
1920s Post-Impressionist Animal Prints
MaterialsEtching
- Curves by Orovida Pissarro, 1919 - Etching PrintBy Orovida PissarroLocated in London, GBCurves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...Category
1910s Post-Impressionist Animal Prints
MaterialsPaper, Etching
$868 Sale Price20% Off - Horse Pulling Hay Cart by Félix Pissarro - Animal etchingBy Félix PissarroLocated in London, GBHorse Pulling Hay Cart by Félix Pissarro (1874-1897) Etching 19.5 x 15 cm (7 ⅝ x 5 ⅞ inches) Exhibition London, Stern Pissarro Gallery, Camille Pissarro & hi...Category
1890s Post-Impressionist Animal Prints
MaterialsEtching
- Rupert Rides by Orovida Pissarro - Animal etchingBy Orovida PissarroLocated in London, GB*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Rupert Rides by Orovida Pissarro (1893-1968) Etching 31 x 23.5 cm (12 ¼ x 9 ¼ inches) Signed and dated lower righ...Category
1950s Post-Impressionist Animal Prints
MaterialsEtching
- Three Hens by Georges Manzana Pissarro - Animal stencilBy Georges Henri Manzana PissarroLocated in London, GBThree Hens by Georges Manzana Pissarro (1871-1961) Pochoir 31.8 x 48.3 cm (12 ½ x 19 inches) Signed with Estate stamp and épreuve d'état Provenance Private Collection, London Artis...Category
19th Century Post-Impressionist Animal Prints
MaterialsStencil