Paula Rego

Crow-- Print, Etching, Aquatint, Nine London Birds by Paula Rego

1994

GPBF, 2022 Eddie Martinez Screenprint in colours, on Arches BFK White 300gsm wove Signed, titled and numbered from the edition of 125 From the portfolio Greenpeace 50 Years Printed ...

Stanley in a basket, October 1986, 1986 David Hockney Homemade print executed on an office colour copy machine on rag Arches paper Signed, dated and numb...

I’ve Got Your Lipstick, 2021 David Shrigley Screenprint in colours, on wove paper Signed on an accompanying COA Numbered from the edition of 125 Sheet: 76 × 56 cm (29.9 × 22.0 in) ...

Giant Pandas Spend About 12 Hours a Day Eating Up to 15 Kilograms of Bamboo. Bamboo is Rich in Protein as Well as Fibre, Which is Why They Poop Up to 50 Times a Day! Sometimes They E...

Stanley in a basket, October 1986, 1986 David Hockney Homemade print executed on an office colour copy machine on rag Arches paper Signed, dated and numb...

Mr Rochester, 2002 Paula Rego Lithograph in black, on Somerset textured paper Signed, a proof aside from the edition of 35 From Jane Eyre: The Guardians P...

Artist: John Baldessari Title: Three Colors (with Horse Ascending) Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 30 x 20 inches (76.2 x 50.8 cm) Edition: 35; s...

This is an artist proof (one of a kind) aquatint of a parrot made up of fingers, and beautiful insects cascading to her right. She has a human ear on one side. The images is 6 x 6 ...

"Left Gatekeeper Ibis" is an etching, aquatint and soap ground aquatint printed from two copper plates in red and blue inks. The print was created and printed on Somerset Satin paper at Manneken Press in an edition of 10. There is a border on all sides of the image. The image size is 21" x 18 3/4" and the sheet size is 28 1/2" x 26". The artist's signature, date, title and edition number are in pencil on the lower margin. "Left Gatekeeper Ibis" is a companion to "Right Gatekeeper Ibis". While the prints are available singly, the artist's intent is for the two prints to be hung side by side with the birds facing one another. Rhea Edge uses her art to convey an environmental message and a moral message that breaks through words and facts. Her art speaks a truth that is often obscured by manipulative phrasing and partisan politics. She shows us the vulnerabilities of endangered species and their impending extinction. It’s beautiful. It’s disconcerting. It leaves viewers with uncomfortable moral questions. Rhea Edge is an Illinois-based artist who often uses images of birds in her paintings and prints. Edge, Associate Professor of Art and chair of the fine and performing arts department at Eureka College, has traveled extensively documenting animal extinctions around the world. She has paintings of the Scarlet Ibis in Trinidad, Sandhill Cranes in Nebraska, leatherback turtles...

"Right Gatekeeper Ibis" is an etching, aquatint and soap ground aquatint printed from two copper plates in red and blue inks. The print was created and printed on Somerset Satin paper at Manneken Press in an edition of 10. There is a border on all sides of the image. The image size is 21" x 18 3/4" and the sheet size is 28 1/2" x 26". The artist's signature, date, title and edition number are in pencil on the lower margin. "Right Gatekeeper Ibis" is a companion to "Left Gatekeeper Ibis". While the prints are available singly, the artist's intent is for the two prints to be hung side by side with the birds facing one another. Rhea Edge uses her art to convey an environmental message and a moral message that breaks through words and facts. Her art speaks a truth that is often obscured by manipulative phrasing and partisan politics. She shows us the vulnerabilities of endangered species and their impending extinction. It’s beautiful. It’s disconcerting. It leaves viewers with uncomfortable moral questions. Rhea Edge is an Illinois-based artist who often uses images of birds in her paintings and prints. Edge, Associate Professor of Art and chair of the fine and performing arts department at Eureka College, has traveled extensively documenting animal extinctions around the world. She has paintings of the Scarlet Ibis in Trinidad, Sandhill Cranes in Nebraska, leatherback turtles...

Jose Bedia (Cuban, 1959) 'Tumba y Raja', 2019 Sugarlift on iron plate Limited edition of 30 Image size: 89.5 x 151.5 cm. (35.2 x 59.6 in.) Overall size: 109 x 172 cm. (42.9 x 67.7 in...

Mariana Magdaleno (Mexico, 1982) 'Baila conmigo', 2018 silkscreen on paper Feltmark 300 g 29.4 x 21.3 in. (74.5 x 54 cm.) Edition of 50 ID: MAM-101 Unframed