Flower Animal Prints

Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. This work is sold mounted but not fra...

Kate Heiss In the Sand Dunes Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velvet Paper Signed and dated on the front ...

Kate Heiss Curlew On the Beach – Lulworth Blue Series Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velvet Paper Signed and dated on the front Mounted Unframed Edition numbers may vary from the photo. Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. This work is sold mounted but not framed. Please note that in situ images are purely an indication of how a piece may look. Printed in a soft chalky Lulworth Blue* this print depicts a Curlew on the beach in front of Orfordness Lighthouse in Suffolk. The lighthouse is framed by a medley of wild flowers; sea holly...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Signed, titled and numbered in pencil Edition: Epreuve d'Artiste viii/X Reference: Passeron 359 "Mario Avati was both an etcher and a painter born in Monaco in 1921. In 1947, afte...

"Loyal To Me" is an original color lithograph by Michael Knigin. The artist signed and dated the piece in the lower right with graphite. Then editioned and titled it in the lower lef...

The Butterfly Flower is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Good conditions...

10" x 23" Unframed Limited Edition Giclée & Silkscreen on Paper of 75 Hand Signed by Tom Everhart 2018

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Midnight Garden By Kate Heiss [2021] Limited Edition Oil based inks on 300gsm Somerset Velvet paper Edition number 50 Image size: H:27 cm x W:27 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This circular midnight garden print features a medley of summer blooms. Echinacea, helichrysum, and cosmos are dancing in the moonlight and are visited by a beautiful striped Hawkmoth. This print is cut from 5 individual Lino blocks. Limited Edition of 50 Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

Raphael Macek Domino, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one....

This Blue Dog work consists of a black background with a blue bear with soulful yellow eyes adorned with yellow flowers and a yellow background with a blue dog with soulful yellow ey...

This Blue Dog work consists of a blue bear with a red nose in the center of a white background adorned with yellow and red flowers. The bear has the blue dog soulful yellow eyes. T...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

Pigment print on aluminium Edition of 30 “Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works e...