People Animal Prints

This Blue Dog work consists of a black background with a single blue dog donning decorative anklets, a green, yellow & purple necktie and a Mardi Gras mask...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable off...

This Blue Dog work consists of a single dog with soulful yellow eyes sitting in the center of a yellow background diagonally divided with stars on the top and solid on the bottom. Th...

Before I left for this trip to take wild horse photography, a friend of mine and I were having dinner at a restaurant in NYC. She asked, “what are you going to do differently this time?” And, ” how will you photograph beautiful wild horses?” It was as though someone stabbed me with a dagger. However, she was right. I was coming back with similar-looking photographs and nothing different as well to have people shop for wild horse photography. So I consciously made a significant effort to change things around to capture my horse pictures...

Artist Commentary: “Collage is the exploitation of the chance meeting of two distant realities on an unfamiliar plane… and the spark of poetry that leaps across the gap as the two r...

This Blue Dog work consists of a white background with a blue and white female with yellow and black hair centered between 2 blue dogs. All 3 have soulful yellow eyes. This pop art...

This Blue Dog work consists of a white background. There is a woman with dog ears and red lipstick centered between 2 dogs. The woman and dogs are painted in black & white with onl...

Raphael Macek Domino, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one....

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Image Size: 8" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2013

Image Size: 6" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2016

Image Size: 9" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando

Image Size: 4.5" x 3" Unframed Limited Edition Etching of 25 Hand Signed by Mariko Ando 2012

Image Size: 7.5" x 5" Unframed Limited Edition Etching of 15 Hand Signed by Mariko Ando 2012

Image Size: 8.5" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

Image Size: 8.5" x 6" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

Image Size: 7" x 4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2015

Image Size: 6.5" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2013

6" x 4 1/4" Unframed Limited Edition Etching + Aqua Tint + Chine colle,Hand coloured Hand signed by Mariko Ando

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Antoni Clavé - Original Lithograph - For Alexander Pushkin's Queen of Spades Dimensions: 325 x 247 mm. 1946 Original lithograph of Antoni Clavé Edition: 300 The Queen of Spades. Tr...

Lithographic print / Black ink printed on 240gr JOHANOT paper. Signature : Monogram " PJ ", stamped in black ink Date, title and copy number, written in this order, in pencil by the...

Lithographic print / Black ink printed on 240gr JOHANOT paper. This version borrows the codes of the comic book, to represent a woman-eating shark. References used for this print: S...

"Minotaure-Manga-A ". Lithographic print / Black ink printed on 240gr JOHANOT paper. Dimensions : 56 x 38 cm signed and numbered at 6 copies by the artist The prints were made in...

Xaar, ‘Tail', 2001 by John Reardon Edition of 7 (2/7) Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece...

Fear Ridden by Orovida Pissarro (1893 - 1968) Etching 12.8 x 17.5 cm (5 x 6 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Final state no. 12/23 and titled ...

Includes a Certificate of Authenticity

This Blue Dog work consists of a blue bear with a red nose in the center of a white background adorned with yellow and red flowers. The bear has the blue dog soulful yellow eyes. T...

This Blue Dog work consists of a white background with a blue female with dog ears, red lips, yellow, orange and black hair, wearing a black shirt/sweater, centered between 2 blue do...

Pablo Picasso’s Woman, Clown, and Monkey, a lithograph published by Verve in 1954, exemplifies the artist’s ability to distill complex emotions and narratives into strikingly simple ...

Driving Home for Christmas (Colour) Lake Tahoe, California - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 61" Unfram...

The Salvador Dali Les Chevaux Bleus (Blue Horses) etching with hand coloring was published in 1967 by Pierre Argillet, Paris. The total tirage is 335 on various papers. This etchin...

Kenny Scharf Worldz End (Night) 2023
 1 color silkscreen with enamel ink, flocking on Rising 4-ply museum board 54 x 70 inches (137 x 178 cm) Signed and numbered edition of 33 Color...

Kenny Scharf Worldz End (Day) 2023
 1 color silkscreen with enamel ink, flocking on Rising 4-ply museum board 54 x 70 inches (137 x 178 cm) Signed and numbered edition of 33 Colorfu...

"Carefree Country", Black White Photography, White Black Photography, Rodeo Art, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it fo...

"Herd of Honor", Rodeo Photography Print, Black and White Photography, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. ...

"Mop Head 8120", Black and White Horse Photograph, Horseshoes, Iceland ABOUT THIS PIECE: "Mop Head 8120" was part of a Black and White Photog...

Limited Edition, Animal Pictures, New York Street Photography-The Dog Walker 911 ABOUT THIS PIECE: "The Dog Walker 911" was part of a series of New York Street Photography featurin...

Western Photography, Rodeo Photography, Horse Art-Bright Knight “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I wanted to ...

Black & White Photography, Horse Pictures, Rodeo Photography-Herd of Honor “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I...

Rodeo Photography, Black & White Photography, Horse Art-Equestrian Cavalier “I heard about the rodeo in my friend's small Colorado county, I knew I had to g...

Rodeo Photography, Black & White Photography, Horse Photography-Gallant Gallup “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself...

Black and White Photography, Horse Wall Art, Rodeo Prints-Carefree Country “I heard about the rodeo in my friend's small Colorado county, I knew I had ...

Western Art, Black and White Prints, Horse Photography-Strength in Motion “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I ...

Western Art, Rodeo Photography, Horse Prints-We Run the Night “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. I wanted to se...

Bareback Act, Old Hippodrome By Gifford Beal (1879-1956) Signed Lower Right Unframed: 6.5" x 9.5" Framed: 17.5" x 20" Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...

Horse Prints, Black and White Horse Photography, Iceland Horses-Mop Head 8120 ABOUT THIS PIECE: "Mop Head 8120" was part of a Black and White Photogr...

Horses, Wild Horse, Black and White Horse Photography-Prancing Peter “As I walked out of my hotel room early in the morning, I was g...

Extra Large Photo, Black and White Prints, Animal Photography-Pure Bliss “Arriving at a certain place with the most southern organic garden was a delightful surprise. The setting it...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

Guerrilla Girls: Vintage original 1989 poster for: Guerilla Girls: Do Women Have To Be Naked To Get Into the Met. Museum? Pictured here is the much i...

Other sizes and high-end frame on request. ,,In building the story, my instincts were to play on the vibe of a Paris Catwalk - after all, we had access not just to any cat to strut down our catwalk, but the King of Africa; a magnificent adult male...

Kenny Scharf American, b. 1958 Seeserpent 2017 Archival Pigment Inks on Moab Entrada Rag Bright 300 gsm fine art paper 12 2/5 × 16 9/10 in 31.5 × 43 cm Edition of 150 Colorful, cart...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Horses, Wild Horse, Colored Horse Photography-Contemplative Conrad 023 ABOUT THIS PIECE: "Contemplative Conrad 023" was part of a landscape series featuring horses. These Horse Pictures...

This Blue Dog work consists of a matching numbers set of prints each with 4 dogs on motorcycles each of a different color with varying neck scarf colors. Each print within the set h...