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Lait Pur de la Vingeanne Stérilisé, Young Girl, Cats, Vintage French Advertisingc.1980
c.1980
$200
$25020% Off
£152.70
£190.8720% Off
€176.44
€220.5520% Off
CA$280.76
CA$350.9520% Off
A$312.94
A$391.1720% Off
CHF 164.19
CHF 205.2420% Off
MX$3,821.49
MX$4,776.8620% Off
NOK 2,078.98
NOK 2,598.7220% Off
SEK 1,964.95
SEK 2,456.1920% Off
DKK 1,316.87
DKK 1,646.0820% Off
About the Item
Lait Pur de la Vingeanne Stérilisé is an offset lithographic print reproduced after the original 1894-95 Belle Epoque advertising poster created by Théophile Steinlen, printed using 4-color offset lithography on heavyweight archival paper. Lait Pur de la Vingeanne Stérilisé depicts a seated rosy cheeked young girl (the artist's daughter) wearing a long red dress sipping milk from a bowl as a group of envious animal friends - 3 cats, all sitting in front of her eagerly waiting for a sample.
Poster size - 35.25 x 26 in., unframed, very good condition, vivid colors, slight handling on edges
About the artist -
Théophile Alexandre Steinlen (November 10, 1859 – December 13, 1923), was a Swiss-born French Art Nouveau painter and printmaker.
Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his new wife were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.
In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Éditions Flammarion with sixteen original lithographs that illustrated the Belle Époque songs of Paul Delmet. His permanent home, Montmartre and its environs, was a favorite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. In addition to paintings and drawings, he also did sculpture on a limited basis, most notably figures of cats that he had great affection for as seen in many of his paintings.
Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he and a dozen other artists jointly founded in 1911. Between 1883 and 1920, he produced hundreds of illustrations, a number of which were done under a pseudonym so as to avoid political problems because of their harsh criticisms of societal ills.
Théophile Steinlen died in 1923 in Paris and was buried in the Cimetière Saint-Vincent in Montmartre. Today, his works can be found at many museums around the world including at the Hermitage Museum in St. Petersburg, Russia. and the National Gallery of Art in Washington, D.C., United States.
This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA).
- Creation Year:c.1980
- Dimensions:Height: 35.25 in (89.54 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- After:Théophile Alexandre Steinlen (1859 - 1923, French)
- Period:
- Condition:Poster is good condition, unframed, slight handling on edges.
- Gallery Location:Union City, NJ
- Reference Number:1stDibs: LU832312178632
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