Barbara Keidel

Dresser with mirror

unknown

Figure painting presenting a blended figure of mother and child. Sketchy and smooth silhouettes with precise visible faces are placed on a deep and intense red background. The though...

Mona a Barcelona Original vintage exhibition poster - made on the occasion of the exhibition at Joan Prats Gallery 1980 In great condition

Exhibition poster On the occasion of the exhibition in February/March 1992 In great condition Minimal traces of storage

Art print after the original from 1994 Signed, dated and titled in print In great condition, minimal marginal defects

"Objects": Color silkscreen after sculpture by Volker Kühn. Humorous depiction of interpersonal relationships. Graphic Art, Miniature Etchings, Objec...

Original vintage exhibition poster Color lithograph - created on the occasion of the exhibition in Barcelona 1983 In great condition

This is an exclusive handprinted limited edition cyanotype. "Rolling Waves off Sidney" is a gorgeous original cyanotype diptych showing energetic waves embracing the Australian coas...

This is an exclusive handprinted limited edition cyanotype. "Fireworks Lights" is a minimal cyanotype diptych that shows path of the fireworks over the sky. Details: + Title: Firew...

2016 Dye Sublimation Print on Aluminum 29 7/8 x 54 1/4 in. Edition of 35, AP Signed and numbered on the reverse

Audrey Flack Rolls Royce Lady, 1984 Kodachrome 35mm Color Dye Transfer Print Dry, mounted to 4 ply 100% cotton fiber board Signed and titled in ink on the front 19 3/5 × 23 3/5 inche...

Timothy Hursley was born in 1955 in Detroit, Michigan, where he apprenticed in architectural photography with Hungarian photographer Balthazar Korab beginning in 1972. His apprenticeship continued until he moved to Little Rock, Arkansas in 1980, where he started his own studio, The Arkansas Office. From 1982 to 1987, Hursley made architectural photographs in New York of Andy Warhol’s last Factory on Madison Avenue at 34th Street. Eleven of Hursley's Factory photographs...

St. Regis River Grasses, New York, a large Cibachrome Direct Positive Photograph - 8"x10" Deardorff Camera using Positive Slide Film. Powerful Large Cibachrome Photograph of the St Regis River, Adirondacks, New York by Nathan Farb (American, B- 1941). Working with a large 8" x 10" View Camera Nathan began a journey to really photograph his home in the mountains is his own way, rich in vibrant with exceptional detail. Cibachrome prints are a type of dye destruction print that use a photographic process to create a full-color image. The process involves selectively bleaching away color dyes embedded in the paper. The dyes are contained within emulsion layers, which give the print its characteristic color saturation. The base is a polyester triacetate, rather than fiber-based paper, which adds to the print's longevity Image, 29"H x 37"W Sheet, 30"H x 40"W x .05 Unmounted and unframed. Can be shipped rolled. Includes book "The Adirondacks" which contains similar photographs by the artist. In 1981, Farb returned to his childhood home in the Adirondack Mountains to recharge himself, spending a lot of time in the woods. Over the next 20 years, he produced three books published by Rizzoli cataloguing many of his finest 8”x10” negatives. That work has been excerpted by close to 100 magazines including The NY Times Magazine. NY Times Magazine then sent him to document the Exxon oil spill and the Yellowstone Fires, and to the Galapagos Islands twice. Searching for both his past and future, Nathan Farb bought his first camera and started shooting on the streets of NYC’s Lower East Side in 1966. This work was presented as “The Other Summer of Love,” in “Lens”, the NY Times’ photography blog in 2017. In 1971 his political multimedia work “Lockport” was shown at The Public Theater...