Benton Spruance

1968 Benton Spruance 'The Sphynx' from Moby Dick

1968

Exhibition poster for Douglas Gordon and Lawrence Weiner at Gagosian Athens, Greece. Hand signed in the bottom right corner in pen.

First edition lithograph on page 2 of Derriere le Miroir (DLM) No.176.

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Framed: No Condition: A: Mint Additional Details: Limited editio...

First edition lithograph published on the back cover of Derriere le Miroir (DLM) No. 157. Back Cover page only, with no additional pages.

Paper Size: 25.5 x 18.25 inches ( 64.77 x 46.355 cm ) Image Size: 18 x 14 inches ( 45.72 x 35.56 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Paper Size: 25.5 x 19.5 inches ( 64.77 x 49.53 cm ) Image Size: 19.25 x 13.75 inches ( 48.895 x 34.925 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling o...

Large format lithograph with architectural study, partly coloured. Signed at lower right. Edition 65/100(?).

Unframed Richard Lindner (German/American 1901-1978) original hand signed in pencil lithograph #16 of a series of 100 dated and stamped lower right 1971. Shoot (back) from a series o...

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

Artist: Toulouse Lautrec (1864 -1901) French Title: The Chestnut Vendor Medium: Lithograph, Year: 1897 Signature: Signed in Plate (TL) Lower Left Dimensions: 20” x 17” Framed, 11” x 8.5” Unframed A lithograph of a Toulouse Lautrec drawing...

Artist: Thomas Hart Benton (American 1889 - 1975) Title: Aaron Medium: Hand Signed Lithograph Year of Work: 1941 Edition Size: 250 Dimensions: 12.9" x 9.5" unframed, 20" x 16" Framed In this Iconic portrait of "Aaron" Benton depicts an elderly farmer with tattered clothes, seemingly deep in thought. He is set in a neutral background where the subject’s face reveals the wear and tear of the agrestic lifestyle. Much like most of Benton's work, this portrait captures the true feeling of the American social...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...