El Pez

Happiness everywhere

2017

Screen print of victor vasarely edited in 1983

Screen print of victor vasarely edited in 1974

Screen print of Victor Vasarely edited in 1968

''Phlox'' (from the "Garden of Love" portfolio), silkscreen in colors, 1982, signed, titled, dated and numbered from edition of 100, in pencil

Screenprint in colors, 1982, on Fabriano, signed, titled and dated in pencil

No Future Companion is a collaboration piece between Kaws and Japanese illustrator Hajime Sorayama

Tom Sachs - TOO DARN HOT Date of creation: 2022 Medium: Screen print on Somerset paper Edition: 1337 Size: 77.5 x 60.9 cm Condition: New in mint conditions, never framed This is a 13...

Chris Levine - EQUANIMITY_2022 70 Date of creation: 2022 Medium: Screenprint on Somerset Satin paper Edition number: 2/5 Size: 47 x 38 cm Condition: New in mint conditions, never fra...

Champagne City, Slate Blue Thames, Painting by Clare Halifax Very limited edition of 10 prints featuring hand gilded champagne gold leaf 22.5ct with slate blue thames. This 2 colour screen print with hand finished gilding is printed by the artist and shows the view of the thames from sky garden Additional information: Image size 48x48cm, Paper size 56x56cm, Edition of 10, Printed onto somerset satin 300gms with deckle edge. Size: H:56 cm x W:56 cm Clare Halifax, artist. Clare Halifax is offering exclusive Cotswold screen prints as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design...

Anna Harley Creation IV Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Edition of 30 Size: H 39cm x W 39cm x D 0.5cm Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, "the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting." She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. "I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. " Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...

Erik Bulatov (born in 1933 Ekaterinburg) “ Freedom is Freedom II “ Colour serigraphs/somerset satin laid paper. 33/100. On the reverse of the frame with the edition numbering and tw...

Erik Bulatov (born in 1933 Ekaterinburg) Glory of the KPSS II” 22/100 On the reverse of the frame with the edition numbering and two with the edition stamp of the Kestner- Gesellscha...