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Adolfo HohensteinIris, Comic Opera - Original Lithograph (Les Maîtres de l'Affiche), 18991899
1899
$1,784.38
£1,321.91
€1,500
CA$2,454.31
A$2,729.90
CHF 1,432.10
MX$33,310.95
NOK 17,974.67
SEK 16,938.94
DKK 11,420.80
About the Item
HOHENSTEIN
Iris, Comic Opera, 1899
Original Lithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
INFORMATION : Plate 180 of "Les Maîtres de l'Affiche", Paris, 1899, printed by l'Imprimerie Chaix.
Bears the blind stamp of the editor in the lower right corner .
This image was created for the italian comic opera "Iris - Musica di P. MASCAGNI", Milan, 1898.
Very good condition, minor clear foxings in the upper margin.
- Creator:Adolfo Hohenstein (1854 - 1928, German)
- Creation Year:1899
- Dimensions:Height: 15.36 in (39 cm)Width: 11.42 in (29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:Seller: AP331stDibs: LU46438271512
Adolfo Hohenstein
Adolfo Hohenstein (1854–1928) was a German-born artist and designer who became one of the most influential figures in the history of Italian poster art. Born in Saint Petersburg and raised in Vienna, he trained in the decorative arts before traveling extensively through Europe and Asia, where he developed an eye for refined ornament and theatrical presentation. In 1879, Hohenstein settled in Milan, where his career flourished. He became a set and costume designer for the Teatro alla Scala and other prominent theaters, later joining the famed Officine Grafiche Ricordi as art director. There, he created some of the most celebrated opera posters of the late 19th century, including designs for La Bohème and Tosca, as well as striking advertisements for brands such as Campari and leading newspapers. His distinctive blend of elegance, fluid lines, and decorative detail placed him at the forefront of Stile Liberty, the Italian interpretation of Art Nouveau. Hohenstein’s style combined theatrical flair with a mastery of composition, creating imagery that was both visually captivating and commercially effective. His work influenced a new generation of poster artists, setting a standard for modern graphic design in Italy. In the early 20th century, he returned to Germany, living in Düsseldorf and later in Bonn, where he turned his attention to painting, architectural decoration, and interior design. He continued to produce refined works until his death in 1928, leaving a lasting legacy as the “father of Italian poster art” and a pioneer of modern visual communication.
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