(after) Keith Haring

Keith Haring Dolce Vita announcement 1991 (Keith Haring Switzerland)

1991

Keith Haring 1985: Keith Haring off-set illustrated announcement card, NY, 1985: "NY for NY, Help The Homeless" at The Roxy, West 18th St., NYC. Off-set printed, 1985 (folds open in...

Keith Haring Cover Art SFMMA 1984: Published by the San Francisco Museum of Modern Art on the occasion of ‘The Human Condition SFMMA Biennial III’ 28 June-26 August 1984. Cover art created by Keith Haring specifically for the exhibit. Includes work by Jenny Holzer (reverse cover) with a foreword by Shirley Davis. An introduction by Henry T. Hopkins is followed up with essays by Dorothy Martinson, Wolfgang Max Faust, Achille Bonito Olivia, Klaus Ottman, and Edward Kienholz...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Keith Haring Illustration art 1986: Rare seldom available 1980s Keith Haring illustrated New School university catalog featuring Haring double-sided cover art and a printed signature. Quite scarce, especially in good condition as presented here. Offset printed university catalog; Soft cover; 292 pages. 8.5 x 11 inches. Very good overall vintage condition with the exception of surface creasing in a couple of areas; well-preserved with crisp colors. Printed signature on lower left ("1985 Haring"); from an edition of unknown; published 1985/1986 by the New School (New York, NY). Haring credit further appears on the lower left interior of 1st pg: 'Cover art for New School by Keith Haring.' (See the 2nd to last image in listing). Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories: Keith Haring 1986. Keith Haring prints. Keith Haring cover art. Keith Haring catalog...

Color offset lithograph. Signed and dated in felt-tip pen and pink ink, lower right. Published by Tony Shafrazi Gallery, New York.

A fun and familiar image created by Keith Haring as an original lithograph in colors in 1988, International Volunteer Day was commissioned by the United Nations on its 40th anniversa...

Created by the artist during his lifetime, though printed just shortly after his death, Keith Haring’s, Pop Shop VI (B) was published in 1989 as an original screenprint in color on w...

In 1983, Keith Haring collaborated with the Italian company LEM to produce larger reproductions of his untitled artworks. This initiative was part of Haring's broader effort to make ...