(after) Marc Chagall

Painter with Palette - Lithograph - Maeght 1977

1977

John Pasche Rolling Stones American Tour, original 1972 poster, 1972 Original vintage offset lithograph poster (this is the original poster, not a reprint 35 1/2 × 25 inches Unframed...

Created in 1954, this color lithograph is After Marc Chagall (Vitebsk, 1887- Saint-Paul, 1985). Printed on Arches wove paper by Charles Sorlier under the direction of Chagall. This work is numbered 97 from the edition of 300 and there were artist proofs; published by Editions Galerie Maeght, Paris and printed by Charles Sorlier under the direction of Marc Chagall. The color, composition and execution of Marc Chagall Maternité...

Created between 1957 and 1960, the series Daphnis & Chloe is regarded as the most important of Chagall's graphic works due to the number and size of the publication. The series of 42...

Created in 1967, Marc Chagall’s Le Cirque (The Circus), from Cirque, 1967 is a color lithograph on Arches paper. This work is hand-signed by Marc Cha...

utting a new spin on one of his favorite subjects, Léger here depicts tree trunks and logs as objects in space rather than related to the ground. The gnarled branches form an abstract still-life composition, twisting and turning in unanticipated directions. The earthy browns, greens, and yellows contrast with the bold black outlines. The logs appear as though arranged on a platter, presented to the viewer for contemplation. An intriguing aspect of this piece is the tiny box...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

This abstract Georges Braque Le tir à l'arc (The Archery), 1960 toys with repetitive motifs that vary ever so slightly. Four white, rectangular figures arranged in a square formation...

Expressing the playful and vibrant quality of Miró's work, this piece uses minimal detail and shape in a delicate balance of color and line. Using a lyrical quality of shape, the vie...

Comprised of a repetition of oval blue targets, Georges Braque Le tir à l'arc (Archery) exemplifies Braque's skill at evoking a sense of mood through abstraction. The soft, swirling ...

The wife of Thadée Nathanson, the editor of the French art and literary magazine La Revue Blanche, Misia Nathanson is presented here in beautiful form. Wonderfully strong but sparse line work mixed with soft curves and billowing forms are Lautrec signatures, but what is interesting is his respect for Misia is widely apparent. A white fur shawl...