(after) Pablo Picasso

Man on Horse from Comedie Humaine Suite

1954

In this charming regionalist lithograph, Benton captures a classic Midwestern American scene: two men talking, drinking, and smoking together in a bar. Titled 'Discussion', the artwo...

Accompanied by a lantern, an elderly man sits alone, engrossed in a newspaper. Benton used a lithographic process to draw and produce this image. He renders the face and paper well-l...

A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

Marino Marini- From Color to Form VII Color lithograph on Arches paper (with watermark), 1969. Printed by Mourlot, Paris, published by Société Internationale d'Art XXe Siècle, Paris,...

Marino Marini- From Color to Form VIII Color lithograph on Arches paper (with watermark), 1969. Printed by Mourlot, Paris, published by Société Internationale d'Art XXe Siècle, Par...

Kees van Dongen – Jeune femme au chien Pochoir, Henri Floury Editeur, Paris, 1925. From the album ‘Van Dongen’ by Edmond des Courieres. Paper size: 26.5 x...

Emilio Grau Sala (Spanish, 1911-1975) was born in Barcelona and studied at the School of Fine Arts in his native town, in 1929 he moved to France and became part of the Paris School ...

Georges Lambert ( French, 1919-1998) was a French painter and lithographer devoted to vibrant coloration of landscapes, figure studies, seascapes, and harbor scenes, in a semi modern...

Artist: Marc Chagall (Russian-French, 1887-1985) Title: "Cheval Bleu au Couple (Blue Horse with Couple)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Unsigned edition Year: 1982 Medium: Original Lithograph on smooth wove paper Limited edition: Unknown, (there was also a signed and numbered edition of 50 on Arches paper with margins) Printer: Atelier Mourlot, Paris, France Publisher: Maeght Editeur, Paris, France Reference: "Marc Chagall: The Lithographs - La Collection Sorlier" - Mourlot No. 993, page 371; Cramer No. 113 Sheet size: 15" x 11" Condition: In excellent condition Rare Notes: Produced for Chagall's collaboration with the August, 1982 No. 250 "Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght" portfolio. Text on verso as issued. In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel...