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Bernard Buffet
Le Clown Pointu

1968

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L'inspiré Self Portrait Marc Chagall Valentina Vava Lithograph 1963 Mourlot 398
By Marc Chagall
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Inspiration or L'inspiré - The artist and his wife, self-portrait. This is a self-portrait of the great artist, depicting him as lost in thought before one of his paintings, which is apparently related to his home country Russia, as suggested by the small figure in the lower right of the work. Chagall’s wife Valentina (“Vava”), who was also from Russia, is looking over his shoulder, full of longing. The small surreal elements that are characteristic of Chagall’s paintings are also present here: the silhouettes of the houses that seems to stick out of the painting and a figure with a flute or trombone standing on its head. Chagall Lithographe, Volume II of the catalogue raisonné of Chagall's lithographic work, see Mourlot 398, 1957-1962, Paris 1963, imprinted by Imprimerie Mourlot for the publisher André Sauret. A lithographic plate from the catalog that was published in 10,000 copies. Condition : Excellent Set inside a cream mount bearing brass cartellino Visible sheet size length 23cm, Height 31.50cm In a carved and gilded frame Frame size Length 44cm, Height 55.5cm The reverse with a paper label in Japanese Provenance : Private Collection, purchased with Lovers in Grey
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Prodigal Son
By Thomas Hart Benton
Located in London, GB
A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...
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Discussion
By Thomas Hart Benton
Located in London, GB
In this charming regionalist lithograph, Benton captures a classic Midwestern American scene: two men talking, drinking, and smoking together in a bar. Titled 'Discussion', the artwo...
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Old Man Reading
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Located in London, GB
Accompanied by a lantern, an elderly man sits alone, engrossed in a newspaper. Benton used a lithographic process to draw and produce this image. He renders the face and paper well-l...
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Down the River
By Thomas Hart Benton
Located in London, GB
In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...
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La Bouquetiere 1957
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Georges Lambert ( French, 1919-1998) was a French painter and lithographer devoted to vibrant coloration of landscapes, figure studies, seascapes, and harbor scenes, in a semi modern...
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Picasso and the Human Comedy, Verve Lithograph Print, 1954 Oringinal Lithograph
By Pablo Picasso
Located in London, GB
Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954 Original lithographs published by Mourlot Frères Original lithograph print from Verve Vol. VIII, No 29/30 printed by t...
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Picasso and the Human Comedy, Verve Lithograph Print, 1954 Original lithograph
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Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954 Original lithographs published by Mourlot Frères Original lithograph print from Verve Vol. VIII, No 29/30 printed by t...
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Giorgio de Chirico 1960s Original Signed Lithography
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Giorgio de Chirico 1960s Original Signed Lithography Lithograph with golden yellow background Signed in pencil lower left ‘P d A’ Artist's proof Signed in pencil lower right ‘G. De ...
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British Post Office Greetings Telegrams (1935-1978), after various artists
Located in London, GB
British Post Office Greetings Telegrams (1935-1978), after various artists photolithograph dimensions, including frames: 33 x Telegram 9 ¾ x 11 ⅞ in. (24.8 x 30.1 cm.) 31 x Telegram 10 ½ x 12 in. (26.8 x 30.5 cm.) 12 x Telegram 11 ½ x 18 in. (29.2 x 45.7 cm.) and similar 12 x Telegram 9 x 11 ½ in. (22.9 x 29.2 cm.) 1 x Telegram 11 ¾ x 12 ¾ in. (29.8 x 32.4 cm.) 1 x Telegram 9 x 10 ⅜ in. (22.9 x 26.3 cm.) 1 x Telegram 8 x 10 ½ in. (20.3 x 26.7 cm.) A set of ninety-one (91) The historical equivalent of a text or WhatsApp message, the first telegram was sent in code in 1844 from Washington to Baltimore by Samuel Morse, asking “What hath God wrought?” By 1870 (the year that the British General...
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Devant le Tableau (Signed and Numbered)
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Lithograph on Arches Paper Pencil Signed Lower Right, "Marc Chagall" Numbered Lower Left Ed. 9/40, one of 40 impressions reserved for the artist aside from the standard signed editio...
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National Palace, Mexico City (Juarez and the Reform Laws)
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(after) Diego Rivera "National Palace, Mexico City (Juarez and the Reform Laws) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...
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Chapel of the Agriculture School, Chapingo (Forces Under the Earth)
By (after) Diego Rivera
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(after) Diego Rivera "Chapel, Agriculture School, Chapingo" (Forces Under the Earth) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Approx. 18.5 x 13.5 with Matting Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...
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Chapel of the Agricultural School, Chapingo (Ceiling Detail, Workers)
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(after) Diego Rivera "Chapel of the Agricultural School, Chapingo" (Ceiling Detail, Workers) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Size with the Matt: 18.5 x 13.5 inches Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...
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Fritz Scholder (1937-2005) "Custer's Last Fight" Lithograph Ed. 54/75 Signed and Numbered Site Size: approx 22 x 30 inches Framed Size: approx. 35 x 41.5 inches Born in Breckenridge, Minnesota, Fritz Scholder became a prominent Indian portrait, figure, and genre painter in Arizona. His father was part Indian, and Fritz Scholder chose to focus his art work on this part of his lineage and to express both an appreciation and disdain for Indian customs, traditions, and daily existence. He studied at the University of Kansas, Wisconsin State University, and with Wayne Thiebaud at Sacramento College in California. He earned an Master of Fine Arts Degree from the University of Arizona. A long-time resident of Scottsdale, Arizona, he has filled a number of artist-in-residence positions including Dartmouth College and the Oklahoma Summer Arts Institute. In his work, he frequently showed the harsh, realistic side of Indians' lives and deaths including the affects of alcohol and other dissipations, but some of his depictions are humorous such as Indians on horseback carrying umbrellas. His brush-work is generally swift, and the tone often sombre and surreal. A major influence on his work was the contemporary British artist, Francis Bacon, from whom Scholder adapted ironic distortions into his canvases. In Scottsdale, he lived in an adobe-walled oasis of palm trees and oleander, amid skulls and skeletons. In the garden, several of Mr. Scholder's sculptures feature skull-like heads. In the library, an 18th-century skull engraved with witchcraft symbols shared shelf space with books printed before 1500. And the porch had been converted into a skull room, complete with Mexican Day of the Dead...
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