Eduardo Roca

Eduardo Roca (Choco), ¨Cañero¨, 1989, Linocut, 9.4x9.4 in

1989

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Escena de campo', 1993 linocut on paper Canson 320 g. 16.8 x 23 in. (42.5 x 58.3 cm.) Edition of 14 ID: CHO-307 Unframed

Nelson Dominguez (Cuban, 1947) 'La mujer del café', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

Nelson Dominguez (Cuban, 1947) 'La mujer del tabaco', 2012 Woodcut 124.5 x 84.5 cm. (49 x 33.3 in.) Edition of 10 Unframed

Ivan Gardea (Mexico, 1970) 'Soledad II', 2011 linocut on paper Guarro Biblos 250g. 28.8 x 20.9 in. (73 x 53 cm.) ID: GAD-102 Unframed

Ivan Gardea (Mexico, 1970) 'Soledad I', 2009 linocut on paper Guarro Biblos 250g. 28.8 x 20.9 in. (73 x 53 cm.) ID: GAD-101 Unframed

Antonio Diaz Cortes (Mexico, 1935) 'Encuentro', 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: DIA-107 Hand-signed by author

FRANK STELLA (1936-Present) Frank Stella's 'A Squeeze of the Hand' is from his series 'The Waves'. This beautiful piece is a screenprint, lithograph and linocut in colours with hand...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W...

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

LUIZA KASPRZYK Studied at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda. In 2014, her work...

LUIZA KASPRZYK Studies at the Faculty of Graphics and Painting at the Academy of Fine Arts in Łódź, in atelier of Lithographic Techniques of professor W. Warzywoda.