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Unknown - FINE 18TH/ 19TH CENTURY ITALIAN OLD MASTER DRAWING - HEAD PORTRAIT OF CHILD
FINE 18TH/ 19TH CENTURY ITALIAN OLD MASTER DRAWING - HEAD PORTRAIT OF CHILD
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Guido Reni, Head of a child, from Faces of Children, 1968 (after)

1968

$716
$89520% Off
£545.80
£682.2620% Off
€623.54
€779.4220% Off
CA$1,007.51
CA$1,259.3920% Off
A$1,103.54
A$1,379.4220% Off
CHF 581.01
CHF 726.2720% Off
MX$13,170.37
MX$16,462.9620% Off
NOK 7,404.50
NOK 9,255.6220% Off
SEK 6,768.82
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DKK 4,659.51
DKK 5,824.3920% Off

About the Item

This exquisite lithograph and pochoir after Guido Reni (1575–1642), titled Tete d enfant (Head of a child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition captures Reni s refined idealism and gentle psychological insight, translated through twentieth century printmaking with exceptional sensitivity to line and tonal nuance. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 11.024 x 8.86 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Guido Reni (1575–1642) Title: Tete d enfant (Head of a child), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 11.024 x 8.86 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the album inaugurated a series dedicated to rendering canonical drawings with extraordinary precision, respecting line weight, tonal subtlety, and the original spirit of each work. Jacomets atelier was internationally renowned for its technical rigor and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. Drawing together works spanning centuries, from Albrecht Durer to Raoul Dufy, the album reflects a curatorial ambition rooted in pedagogy, preservation, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, the album exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draughtsmanship to collectors, institutions, and scholars. About the Artist: Guido Reni (1575–1642) was an Italian painter whose refined classicism, luminous palette, and idealized vision of beauty positioned him as one of the most influential masters of the early Baroque and among the most sought after artists of seventeenth century Europe, establishing a legacy of balance, harmony, and expressive restraint that continued to resonate across centuries of Western art. Born in Bologna, Reni trained at the Accademia degli Incamminati under Ludovico Carracci and was profoundly shaped by the reforming ideals of Annibale Carracci, whose return to nature, disciplined draftsmanship, and classical proportion formed the foundation of Reni s mature style. Drawing deeply from Raphaels serenity, Correggios softness, and the ideals of classical antiquity, Reni developed a distinctive visual language marked by silvery light, graceful movement, and an elevated spiritual tone, selectively absorbing the dramatic realism of Caravaggio while transforming it into something more lyrical, refined, and contemplative. His mythological scenes, devotional images, and monumental altarpieces were celebrated throughout Italy, France, and Spain for their emotional clarity, restrained drama, and idealized human form, influencing contemporaries such as Domenichino, Francesco Albani, and Simone Cantarini, and later shaping the academic traditions embraced by artists from Nicolas Poussin to Jean Auguste Dominique Ingres. The intellectual rigor, compositional balance, and psychological poise evident in Reni s work would later be admired by modern figures including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, who recognized in his art a timeless model for uniting structure, emotion, and purity of form. Reni s pursuit of ideal beauty and expressive calm established him as a touchstone for artists seeking order and proportion in opposition to excess, ensuring his lasting relevance within both historical scholarship and the contemporary market. His enduring importance is underscored by his highest auction record, achieved in July 2012 when a major painting sold for approximately 29 million USD at Sothebys London, confirming his status as one of the most valuable and revered Old Master painters in the global art market. Guido Reni lithograph, Reni Tete d enfant, Visages d Enfants Jacomet, Daniel Jacomet pochoir, Italian Baroque drawing after, Parisian printmaking twentieth century.
  • Creation Year:
    1968
  • Dimensions:
    Height: 18.5 in (46.99 cm)Width: 14 in (35.56 cm)
  • Medium:
    Lithograph,Stencil
  • Movement & Style:
    Baroque
  • After:
    Guido Reni (1575 - 1642)
  • Period:
    1960-1969
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465217383692

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