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Jacques VillonJacques Villon, The Worlds, from XXe siecle, 19591959
1959
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About the Item
This exquisite lithograph by Jacques Villon (1875–1963), titled Les Mondes (The Worlds), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959, originates from the 1959 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris. Les Mondes exemplifies Villon’s refined mastery of Cubist structure and lyrical abstraction, revealing his ability to harmonize geometric rhythm and radiant color into compositions of poetic equilibrium.
Executed as a lithograph on velin paper, this work measures 12.5 × 9.75 inches (31.75 × 24.77 cm). Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris.
Artwork Details:
Artist: Jacques Villon (1875–1963)
Title: Les Mondes (The Worlds), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959
Medium: Lithograph on velin paper
Dimensions: 12.5 × 9.75 inches (31.75 × 24.77 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: 1959
Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Juin 1959, published by Societe Internationale d'Art XXe siecle, Paris
About the Publication:
Gualtieri di San Lazzaro’s XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro—a visionary editor, critic, and champion of modernism—believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, including Mourlot, Arte, and Bellini, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design—an enduring testament to Gualtieri di San Lazzaro’s belief that the visual arts are the soul of the modern age.
About the Artist:
Jacques Villon (1875–1963) was a French painter and printmaker whose pioneering fusion of Cubism, color theory, and lyrical abstraction made him one of the key architects of modern art. Born Gaston Emile Duchamp in Damville, France, he was the eldest brother of Marcel Duchamp and Raymond Duchamp-Villon, and together they became one of the most influential artistic families of the 20th century. Adopting the pseudonym Jacques Villon, he carved out an independent identity as a visionary who bridged the analytical rigor of Cubism with the emotional freedom of abstraction. After moving to Paris in the 1890s, Villon immersed himself in the avant-garde circles of Montmartre and later the Puteaux Group—also known as the Section d’Or—alongside Fernand Leger, Francis Picabia, Jean Metzinger, Albert Gleizes, and his brother Marcel. Influenced by Paul Cezanne and working in creative dialogue with contemporaries such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, and Man Ray, Villon sought to reconcile scientific order and spiritual beauty through geometry, rhythm, and color. His early mastery of etching and aquatint earned him acclaim as a printmaker, while his paintings from the 1910s onward—such as Portrait of Marcel Duchamp (1913), The Rider (1914), and Composition Abstraite (1919)—demonstrated a unique Cubist lyricism characterized by transparent planes, interlocking forms, and a prismatic use of light. Over the following decades, he transformed Cubism’s intellectual structure into a radiant, harmonious abstraction that anticipated mid-century lyrical and color field painting. Like Kandinsky and Miro, Villon believed that art could evoke music’s spiritual depth through pure form, while his chromatic harmonies inspired later artists such as Sonia and Robert Delaunay, Nicolas de Stael, Hans Hartung, and Victor Vasarely. Recognized internationally, Villon exhibited at the Venice Biennale, the Museum of Modern Art in New York, the Tate in London, and the Centre Pompidou in Paris, and in 1956 received the Grand Prize for Painting at the Venice Biennale for his lifetime achievements. His influence extended far beyond painting—his geometric precision and luminous palette shaped later movements including lyrical abstraction, Op Art, and postwar modernism. A deeply poetic thinker, Villon merged intellect and emotion, science and beauty, transforming mathematical order into visual harmony. His art remains celebrated for its timeless grace, uniting the logic of Cubism with the lyricism of color. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Jacques Villon is remembered as a central figure in the evolution of modern art—a master whose elegant compositions continue to inspire collectors and creators worldwide. His highest auction record was achieved by Composition (Abstraction) (1919), which sold for $2.7 million at Sotheby’s, New York, on November 7, 2018, reaffirming his legacy as one of the most refined, visionary, and collectible artists of the 20th century.
Jacques Villon Les Mondes, Villon XXe siecle, Villon Mourlot, Villon 1959 lithograph, Villon velin paper, Villon Cubism, Villon collectible print.
- Creator:Jacques Villon (1875-1963, French)
- Creation Year:1959
- Dimensions:Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216671762
Jacques Villon
Jacques Villon was born Gaston Duchamp in 1875. He was the oldest brother of the artists Marcel Duchamp, Suzanne Duchamp-Crotti and the sculptor Raymond Duchamp-Villon. Initially a law student, in 1894 he went to Paris to study art. It was there that he met Henri Toulouse-Lautrec and other influential artists in Paris, and changed his name to Jacques Villon, after the poet. Villon made prints of some of the most well-known belle-époque portraits and genre scenes of the early twentieth century. Around 1911, he came under the influence of Picasso and other cubists, and became a leading exponent of the style, exhibiting in the 1913 Armory Show in New York. In 1922, the Galerie Bernheim-Jeune commissioned Villon to produce a series of color aquatints after 38 major nineteenth- and twentieth-century paintings. This series included works by Pierre Auguste Renoir, Henri Matisse, Pablo Picasso, Paul Cezanne, Georges Braque, Raoul Dufy, Amadeo Modigliani, Edouard Manet, Pierre Bonnard, and others. Artists who were alive at the time of the printing collaborated with Villon, and signed the prints. The project took ten years to complete. Several of these prints are valued highly today, and some went on to be reproduced by the Louvre Museum as photo-etchings. Villon's 'cubist' etchings, with their characteristic cross-hatching, are amongst the most renowned prints of the twentieth century. Jacques Villon's long career brought him fame. The diverse nature of his paintings, from end-of-the-century portraits to cubist and abstract styles to graphic works, made him a major figure in twentieth-century art. He was made a Grand Officer of the Légion d'Honneur, and upon his death in 1963, and he was given a state funeral.
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