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Juan FuentesCesar y Olin, by Juan Fuentes2003
2003
$750
£576.95
€669.67
CA$1,057.68
A$1,184.78
CHF 622.29
MX$14,406.53
NOK 7,880.20
SEK 7,480.43
DKK 4,998.04
About the Item
Portrait of Cesar Chavez with graves on vines, with inset images of men working in a field and a woman washing a floor. This print is in the collection of the Library of Congress. Signed and titled in pencil, edition of 20.
Juan R. Fuentes's print, "Cesar y Olin," reflects the Chicano Art Movement of the 1970s that he helped to define. Portrait of Cesar Chavez with graves on vines and inset images of men working in a field and a woman washing a floor.. Fuentes produces political art that explores Chicano and indigenous themes. His work is included in the permanent collections of the Smithsonian and the San Francisco Mexican Museum. The Farm Labor movement has often been at the heart of Fuentes work.
- Creator:Juan Fuentes (1950, American)
- Creation Year:2003
- Dimensions:Height: 23 in (58.42 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Springs, CA
- Reference Number:1stDibs: LU308215265382
Juan Fuentes
As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. He is best known for his linoleum cut prints exploring Chicano and indigenous themes. He has also taught at the California College of the Arts and City College of San Francisco. The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada and Leopoldo Mendez. His personal focus has been on using the figure or portrait as a means to tell a story, elaborating on the human condition. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. In 2007, after 10 years as Director of Mission Grafica at Mission Cultural Center for Latino Arts, Fuentes resigned and created Pajaro Editions, a printmaking studio. Pajaro Editions participated in the “Art of Democracy”, a national coalition of artists exhibiting works exploring the dire state of American politics in the fall of 2008.
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La Comadre, by Juan Fuentes
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Located in Palm Springs, CA
Medium: linocut
Year: 2006
Image Size: 16 x 14 inches
Edition of 20, this ipression is an Artists Proof
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Maya, by Juan Fuentes
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Signed and titled in pencil, from the edition of 25. A young native girl in traditional clothes.
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