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Juan FuentesMade In America, by Juan Fuentes2000
2000
About the Item
An Afghan woman laborer working a field of grain, with a backdrop of bombs falling from the sky.
Signed, numbered and titled in pencil, from the edition of 125. As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation.
The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art.
- Creator:Juan Fuentes (1950, American)
- Creation Year:2000
- Dimensions:Height: 20 in (50.8 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Palm Springs, CA
- Reference Number:1stDibs: LU308215265272
Juan Fuentes
As a cultural activist/artist/printmaker, Juan Fuentes has dedicated his career to being part of a global movement for social change. His works address issues relating to local communities of color, social justice, and international struggles for liberation. He is best known for his linoleum cut prints exploring Chicano and indigenous themes. He has also taught at the California College of the Arts and City College of San Francisco. The turbulent times of the 70’s set the tone for Fuentes' approach to creating social art. The Chicano, African American, Middle Eastern, Asian and Native American struggles for equality, peace and justice helped shape the themes that recur in his art. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. Fuentes' relief printing process follows closely the social realist tradition of Latin American artists such as Jose Guadalupe Posada and Leopoldo Mendez. His personal focus has been on using the figure or portrait as a means to tell a story, elaborating on the human condition. His development and introduction to silkscreen printing by mentors such as Rupert Garcia and Malaquias Montoya guided his subsequent community and political poster involvement. In 2007, after 10 years as Director of Mission Grafica at Mission Cultural Center for Latino Arts, Fuentes resigned and created Pajaro Editions, a printmaking studio. Pajaro Editions participated in the “Art of Democracy”, a national coalition of artists exhibiting works exploring the dire state of American politics in the fall of 2008.
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