Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

John Taylor Arms
From the Ponte Vecchio, Florence

1925

About the Item

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of 165 impressions). 1/4-inch edge loss at extreme sheet edge, lower right extreme sheet edge. Scattered light handling creases, minor uniform age tone. A beautiful, dark and inky impression of this large, extremely detailed image, with all the fine lines printing clearly. [Fletcher 159, ii] Arms, Hill Towns and Cities of Northern Italy, by Dorothy Noyes: p. 90 The Print Collector's Quarterly 21 (1934): p.130 __________ Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy (the plate for Guardians of the Spire was created in 1921). He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. Arms died in Fairfield, Connecticut in 1953.
More From This SellerView All
  • Fiesole, an Ancient Tower
    By John Taylor Arms
    Located in Middletown, NY
    Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Handmade Paper, Laid Paper, Etching

  • Street in Porto Maurizio
    By John Taylor Arms
    Located in Middletown, NY
    Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...
    Category

    1920s American Modern Landscape Prints

    Materials

    Handmade Paper, Laid Paper, Etching

  • Fiesole: An Ancient Tower
    By John Taylor Arms
    Located in Middletown, NY
    Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Laid Paper, Handmade Paper, Etching

  • Corbel on Gate House, Stokesay Castle, Shropshire
    By John Taylor Arms
    Located in Middletown, NY
    Etching on cream laid paper, 3 3/16 x 1 9 1/6 inches (81 x 41 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. From the second state (of 2) before the re...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Handmade Paper, Laid Paper, Etching

  • The Grolier Club Library (Sketch)
    By John Taylor Arms
    Located in Middletown, NY
    Etching on cream laid paper, 3 7/8 x 5 7/8 inches (99 x 150 mm), full margins. Signed, dated, and inscribed "Sketch Grolier Club Library Demonstration Print," and numbered "I" in pen...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Handmade Paper, Laid Paper, Etching

  • Notre Dame du Val, Provins / Thibaut
    By John Taylor Arms
    Located in Middletown, NY
    Etching on bluish-grey wove paper, 8 5/8 x 5 1/8 inches (221 x 130 mm), full margins. Signed and dated in pencil. In good condition with light mat tone on the recto and various frame...
    Category

    Mid-20th Century American Modern Landscape Prints

    Materials

    Handmade Paper, Laid Paper, Etching

You May Also Like
  • September 13, 1918. St. Mihiel [The Great Black Cloud].
    By Kerr Eby
    Located in Storrs, CT
    September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...
    Category

    Early 20th Century American Modern Landscape Prints

    Materials

    Mixed Media, Etching, Aquatint

  • From Knoedler's Window MCMXXXV
    By John Taylor Arms
    Located in Storrs, CT
    From Knoedler's Window MCMXXV. 1935. Etching and Aquatint. Fletcher catalog 293 stateiv/v. Image: 5 1/16 x 4 15/16 (sheet 12/7/8 x 9 1/8). Edition 271 in this state (total edition 3...
    Category

    1920s American Modern Landscape Prints

    Materials

    Aquatint, Etching

  • New England Winter: The Old Homestead.
    By Gustave Adolph Hoffman
    Located in Storrs, CT
    New England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...
    Category

    Late 19th Century American Modern Landscape Prints

    Materials

    Etching, Aquatint

  • Dock Workers under the Brooklyn Bridge
    By Martin Lewis
    Located in Storrs, CT
    Martin Lewis, N.A. (Dock Workers under the Brooklyn Bridge). c. 1916-18. Aquatint and etching. McCarron 15. 17 3/4 x 23 3/4 (sheet 26 x 31). 5 recorde...
    Category

    1910s American Modern Figurative Prints

    Materials

    Etching, Aquatint

  • Lower East Side Tenements Yiddish Barber Shop 1920's Aquatint Etching Judaica
    By Max Pollak
    Located in Surfside, FL
    Hand signed, numbered and titled. It depicts the old lower east side of New York city with its tenements and different language signes, barber shop poles...
    Category

    1920s American Modern Landscape Prints

    Materials

    Etching, Aquatint

  • 'Brooklyn Bridge' — 1920s view of an iconic New York City landmark
    By Luigi Kasimir
    Located in Myrtle Beach, SC
    Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
    Category

    1920s American Modern Landscape Prints

    Materials

    Etching, Aquatint

Recently Viewed

View All