Monotype Figurative Prints

Black and white minimal monotype print of an abstracted female torso. The work is signed and titled by the artist in pencil along the front lower margin. Currently hung in a black fr...

Artist: Red Grooms (1937) Title: Albert Einstein and Marilyn Monroe Year: circa 1987 Medium: Monotype and mixed media on wove paper Size: 47.62 x 31.87 inches Condition: Excellent I...

A Professor of painting at Southern Methodist University in Dallas since 1984, Barnaby Fitzgerald spent his childhood in Italy before receiving a Magistero degree in printmaking at t...

Richard Corman Portrait of Jean-Michel Basquiat: Monotype (hand signed twice by Richard Corman), 2015 Silkscreen monotype on 320 gram Coventry Rag paper with deckled edges Signed twi...

Tracey Emin Me + Paul We Are the Trolls, 1995 Monoprint on paper Signed, titled and dated in graphite pencil on the front Unique Frame included: bears original label from Jay Jopling, the founder of White Cube Gallery, Emin's longtime gallery Measurements: Framed (original vintage frame included) 15.5 inches vertical by 20.5 by .75 inches Work 11.5 inches vertical by 16.5 inches horizontal Provenance: The Collection of Douglas S. Cramer, USA Hubert S. Bush Collection USA (with label) Jay Jopling, London (with label) - Jay Jopling is the legendary founder of White Cube Gallery This early (1995) monoprint is part of Tracey Emin's "troll" series, depicting her younger self and her (now estranged) twin brother Paul as children with sometimes murderous thoughts. It was acquired from the collection of Douglas Cramer, (August 22, 1931 – June 4, 2021) a top American television producer who worked for Paramount Television and Spelling Television, producing series such as Mission: Impossible, The Brady Bunch, and Dynasty - who amassed one of the most distinguished collections of contemporary art in the United States. A 2011 Daily Mail article entitled "If you Think Tracey Emin is Wild, say Hello to her Terrible Twin" describes a different monotype, also from the troll series, that Tracey gave to her brother Paul, which he promptly and publicly sold on a TV show, much to her chagrin. The article reads: "Yet there is one person central to Tracey's life who has managed to stay largely shielded from the public eye: her twin brother Paul.. He leads a life that could hardly be more different to Tracey's. She is worth millions, is a household name, owns an estate in the South of France and has A-list friends such as Kate Moss, Orlando...

Thomas Balfour Garrett, 'Search', monotype in colors, c. 1910, a unique impression. Signed and titled in pencil. A superb, painterly impression with fresh colors on off-white, wove p...

Red Grooms (American, b. 1937). Keystone Kops to the Rescue III. 2006. Triptych color monotype created by the artist with lithographic ink on plexiglass plates, and then hand-colored by the artist. Printed by master printer Bud Shark. Printed on White Rives BFK. A unique impression, signed by the artist in pencil lower right. 3 sheets. Each sheet is 30 x 44 ½ ”. Overall: 30 x 133 ½ ” This has all the wonderful components of a Red Grooms piece, Keystone Kops policemen, Circus, Cactus, Cowboys, Hollywood sign etc. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès...

Ann Tanksley is an African American artist who was born in 1934. She studied at Carnegie Mellon as well as the Arts Students League and New School for Soc...

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Abstracted, figurative monotype of six figures in a landscape 12 x 24 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckled edges and is acid-fre...

from the Padoli Monotypes III

Monotype painting of American landscape with sky and sweeping clouds, printed in muted colors and black and white. A large train cuts a path atop a ridge. Michele Zalopany's masterfu...

Abstracted figurative print 12 x 22 inch image on 22 x 30 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has deckled edges and is acid-free Signed lower right T...

Black and white cityscape or landscape with swimmers bathing with friends in a large pool or body of water. This monotype -- a unique painting in ink -- presents an atmospheric scene of European leisure and sports. Paper 35 x 26 in. / 90 x 66 cm. Monotype on white MBM Ingres d'Arches paper. Signed by the artist, annotated "IA", and dated 1990 lower right in pencil. This large monotype depicts a group of young men swimming...

Monotype ev edition 2/7 with hand coloring. The plate (image) is 15 x 14 inches and the overall paper size is 29 1/2 x 22 inches. The artist spent 12 years creating monotype ev's, an...

An iconic female Frohsin figure with red and white stripes and heavy hand coloring. Monotype EV Ed 4/4. Signed front in pencil by Frohsin, who is strongly associated with the Bay Are...

Dramatic, large scale black, white, green and grey Western American landscape with river, grassy banks, trees, and rolling clouds filling the sky. Hang in minimalist, modern, and con...

monotype ev ed 6/6 from 1996. The artist spend 12 years focused on monotype ev prints in very limited edition. Works from this series are all over the world and included in important...

James Nares Fountain, 1987 Monotype on paper Hand signed and dated lower front Unique Frame included Measurements: Framed 41.5 by 34 inches Work 30.25 by 22.25 inches Dazzling Jame...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

San Francesco is an original monotype on ivory-colorated paper by Anonymous Italian Artist of the mid 20th Century. In excellent conditions. Illegible signature on the lower margi...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Inscribed in the plate:"You Could Have Been / A Gay Icon / You Could Have Been / A Gay Icon". Initialed and dated in pencil lower right: "SZ 2016". A fine imp...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Carlos Rene Aguilera (Cuba, 1965) 'El abrazo', 2001 monotype print on handmade paper Deponte 300 g. overall size: 26 x 19.7 in. (66 x 50 cm.) Ref: AGC-301 Un...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surreal mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates r...

Les cygnes by Georges Manzana Pissarro (1871-1961) Watercolour monotype 49 x 63 cm (19 ¹/₄ x 24 ³/₄ inches) Signed lower left, manzana Executed circa 1920 Provenance: Private collec...

Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett ...

Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...

A unique monotype print by New York based artist, Helen Oji. The print is signed and dated in pencil. Image size 22.75 x 30.5 inches.

An original drypoint monotype by American female artist Kathleen Sherin.

Tracey Emin Hello Willow, from the Estate of Andy Warhol curator Tim Hunt and his widow, bestselling author Tama Janowitz, 1997 Monotype on paper. Created expressly for Willow, the d...

This pieces is one of a series of works in which Noland depicts symmetrical chevrons, or V-shaped figures, stacked upon one another, their points facing downwards. He utilizes a soft...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

"Capricho" Original Impressionist Monotype In this eye-catching monotype, a performer stands on a stage, lit by a beam of light with one hand raised above her. The lifted hand and p...

Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...

Inscribed and signed lower center: "Monoprint H Lee-Smith" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is in our New Yo...

Inscribed, signed, and dated lower center: "Monoprint H Lee-Smith '69" Provenance: The Waintrob Project for the Visual Arts (Foundation); Sidney and Abraham Waintrob This item is i...

Original Impressionistic Monotype of Dancers This dynamic print by Linda O'Hagan captures the movement of a dancer with out arm outstretched and the other lifting her skirt. The fo...

"Sale Julia" Abstract Figurative Monotype by California artist Linda O'Hagan. This dynamic print by Linda O'Hagan captures the movement of a dancer mid-turn. The background is comp...

KARL SCHRAG (German - American 1912 - 1995) SELF PORTRAIT IN THE GERMAN MANNER, 1991 Monotype, Signed titled, dated and annotated "Monotype with touches of Oil color, I /I" Plate an...

Estate stamped, verso, for Victor Di Gesu (American, 1914-1988) and created circa 1950. A substantial monotype showing a young woman seated, her kimono fallen open, and brushing her...

Artist: Lawrence Fodor – American (1951- ) Title: Passing Shaman 17 Year: 1989 Medium: Monotype Image size: 18 x 12 inches Sheet size: 30 x 22 inches Framed size: 32.5 x 24.5 inches Signature: Signed, dated lower right by the artist Condition: Excellent Frame: Floating. Framed in modern wood frame. Frame in good condition. This haunting monotype is by the well-known artist Lawrence Fodor (1951-). It is in excellent condition, archivally mounted and floating in a modern wood frame. The maple frame is in good condition with a few very light scratches. Lawrence Fodor began the pursuit of painting when he was 10. He studied at Orange Coast College and received a BFA from Otis Art Institute in Los Angeles, California where he also did graduate work towards his MFA in printmaking and painting. He has studied, traveled and lived in Europe, Asia, Central and South America. His work is exhibited and collected extensively in private and public collections including the Lannan Foundation in Santa Fe, New Mexico and recently by the Modern Art Museum of Forth Worth, Texas, among others. In addition to a studio art career as a painter and printmaker he has done curating and fine art consulting, residential design and construction, graphic design, gallery management, set design and production for live theater. He has worked and had studios in Los Angeles, Long Beach and Santa Barbara, California, Kathmandu, Nepal, Tucson, Arizona and Santa Fe, New Mexico. He currently lives and works in Los Angeles, California and Santa Fe, New Mexico. Maintaining studios in both locations, his work includes painting using oil, alkyd resin and cold wax on canvas, panels, and wood boxes, monotypes, watercolors, other works on paper and photography. Source: Artist's website C UR R I C U L U M V I T A E BORN 1951, Los Angeles, CA. EDUCATION 1974 – 1976 Graduate Work toward MFA, Otis Art Institute • Los Angeles, CA 1973 Bachelor of Fine Arts, Drawing/Printmaking Major • Otis Art Institute • Los Angeles, CA 1971 Associate of Arts Degree, Fine Arts Major • Orange Coast College • Costa Mesa, CA TRAVEL 2015 – 2016 Independent study & research in Baja del Sur, Mexico 2013 Independent study & research in Key West & surrounding Keys & Islands including Dry Tortugas National Park 2009 – 2010 Independent study & research in Costa Rica, Argentina & Patagonia 1985 – 2008 Independent study & research in England, France, Germany, Italy, Spain, Mexico & Costa Rica 1974 – 1975 Independent study in Katmandu, Nepal 1974 Independent study & research in England, France, Germany, Holland, Italy & Switzerland S E L ECTED EXHIBITIONS 2019 “…a tireless hand.” • Friesen Gallery • Sun Valley, ID 2017 Eclipse: obscured memories • Friesen Gallery • Sun Valley, ID Amended Mythologies • Solo Exhibition • SCAPE • Corona del Mar, CA Purple Haze • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2016 EMERGENCE • Group Exhibition • Charlotte Jackson Fine Art • Santa Fe, NM 2014 Without Gravity • Solo Exhibition • Chiaroscuro @ Gebert Contemporary • Santa Fe, NM 2013 Friends and Family • Three-Person Exhibition with Florence Pierce & Mala Breuer • Charlotte Jackson Fine Art • Santa Fe, NM Again: Repetition, Obsession and Meditation • Group Exhibition with Agnes Martin, Sol Lewitt, Olafur Eliasson, Uta Barth, Chuck Close, Susan York & others • Lannan Foundation • Santa Fe, NM 2012 Infinite Sequence 2 • Two-Person Exhibition with Chris Richter • Friesen Gallery • Sun Valley, ID Holding Light 4: 315 paintings • Site-specific installation • ALCOVE 12.6: New Mexico Museum of Art • Santa Fe, NM Holding Light 02: 81 paintings • Installation • Laguna Art Museum • Laguna Beach CA Infinite Sequence • Two-Person Exhibition with Chris Richter • SCAPE • Corona del Mar, CA 2010 Ligatures and Kōan Boxes • Solo Exhibition • Friesen Gallery • Seattle, WA Considered • Group Exhibition • Friesen Gallery • Sun Valley, ID Speak for the Trees • Group Exhibition • Friesen Gallery • Sun Valley, ID & Seattle, WA 2009 Kōan Boxes • Solo Exhibition • Lannan Foundation • Santa Fe, NM Ligatures & Kōan Boxes • Solo Exhibition • Friesen Gallery • Sun Valley, ID Ligatures & Kōan Boxes • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2008 Ligatures • Solo Exhibition • SCAPE • Corona del Mar, CA Gold • Group Exhibition • Linda Durham Contemporary Art Stochastic II • Solo Exhibition • R Duane Reed Gallery • St. Louis, MO 2007 Stochastic • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2006 Summer Moon • Solo Exhibition • SCAPE • Corona del Mar, CA 2005 Moment of Inertia • Solo Exhibition • Linda Durham Contemporary Art • Santa Fe, NM Winter Group Exhibition • Linda Durham Contemporary Art • Santa Fe, NM 2004 Sustained Resonance • Two-Person Exhibition • SCAPE • Corona del Mar, CA Beneath the Surface • Solo Exhibition • Friesen Gallery • Sun Valley, ID Beneath the Surface • Two-Person Exhibition • Friesen Gallery • Seattle, WA Greek Contributions to Mankind • An Exhibition of Contemporary American Art • Group Exhibition, catalog • United States Embassy • Athens, Greece • Curator: Virginia Shore 2003 A Given Moment – Part 2 • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Jeannie Denholm • The Shed • Newport Beach, CA Outside Within • Group Exhibition • Friesen Gallery • Seattle, WA 2002 The Art Collection • Embassy of the United States of America • Dar Es Salaam, Tanzania 2002 A Given Moment • Solo Exhibition • Friesen Gallery • Sun Valley, ID Group Exhibition • Peyton Wright Gallery • Santa Fe, NM 2001 Stream from the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM Group Exhibition • Friesen Gallery • Seattle, WA 2000 Group exhibition • Peyton Wright Gallery • Santa Fe, NM Group exhibition • Friesen Gallery • Seattle, WA 1999 Vestiges II • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1998 Into the Clearing • Two-Person Exhibition • Peyton Wright Gallery • Santa Fe, NM The Romantic Landscape • Group Exhibition • Turner Carroll Gallery • Santa Fe, NM Vestiges • Solo Exhibition • Friesen Gallery • Seattle, WA 1997 The Dialogue Within • Solo Exhibition • Friesen Gallery • Sun Valley, ID Setting Prayers on Fire • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1996 Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM Two-Person Exhibition with Lucy Brown • Diane Nelson Fine Art • Laguna Beach, CA • Curator: Jeannie Denholm 1995 Setting Prayers on Fire • Solo Exhibition • Zenith • Denver, CO • Curator: Kyle Belding 1994 Two-Person Exhibition with Peter Joseph • Peyton Wright Gallery • Santa Fe, NM Solo Exhibition • Jan Maiden Contemporary Art • Columbus, OH 1993 Two-Person Exhibition with Holly Roberts • Jeannie Denholm Fine Art • Newport Beach, CA Solo Exhibition • Canyon Contemporary Art • Columbus, OH 1992 Perigrinari • Solo Exhibition • Peyton Wright Gallery • Santa Fe, NM 1991 Ex Arcanum Locus • Solo Exhibition • Friesen Gallery • Seattle, WA A Sense of Place • Group Exhibition• Peyton Wright Gallery • Santa Fe, NM 1990 In Lucem Proferre • Solo Exhibition • Friesen Gallery • Sun Valley, ID Monotypes from Black Mesa Workshop • Group Exhibition • Lone Pine Gallery • Irvine, CA Ritual Images/Ritual Objects • Two-Person Exhibition with Ann Mallory • Lone Pine Gallery • Irvine, CA 1989 Solo Exhibition • Friesen Gallery • Sun Valley, ID 1983 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA 1981 Solo Exhibition • Pamela Auchincloss Gallery • Santa Barbara, CA PUBL ICATIONS 2017 The Beauty in Painting A Time After Time. Sun Valley Property News, article by Courtney Lauck. 30 July 2017. “Chaco Issue,” Pasatiempo, Santa Fe New Mexican. Multiple photographs illustrating various articles about Chaco Culture National Historical Park. 21 April 2017. 2015 Chaco Canyon: Wandering the Past in the Present. Photographs & essay by the artist of Chaco Culture National Historic Park. Publisher: Andrews Art Books, Santa Fe, NM. 2015 Apparatus: in a Painter’s Studio. Photographs of vignettes in the studio of Lawrence Fodor by the artist, essay by Aline Branduaer. Publisher: Andrews Art Books, Santa Fe, NM. 2012 Holding Light, a catalogue documenting the work for an installation of paintings at the Laguna Art Museum, essay by Cyndi Conn. Publisher: Andrews Art Books, Santa Fe, NM 2009 Speak for the Trees, Composed by Andria Friesen, publisher Marquand Books, Inc., Seattle, WA. Illus.: In Lucem Proferre VIII, 1989-90, oil on canvas. Sarah S. King, Lawrence Fodor – Linda Durham Contemporary Art, Art in America, National Reviews, October 2009. Illus.: Ligature 12 Green/Blue-Green/Violet, oil/wax/alkyd on canvas. Kōan Boxes, catalogue to accompany Lannan Foundation Exhibition, essay Timothy Rodgers Ph. D., Chief Curator, New Mexico Museum of Art. Publisher: Lannan Foundation, Design Twin Palms Press, 2009. 2007 Hollis Walker “Larry Fodor...

Colorful Cat Face - Transfer Monotype in Water Based Ink on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Luis Miguel Valdes (Cuba, 1949) "Another sitting on the wall", 2024 monotype (monoprint) on paper 22.5 x 28.75 in. (57x73 cm.) Hand-signed by author ________________________________...

The artwork will be sent unframed Linocut/monotype print „Soothig the soul” 2022 Linocut and monotype print technique Art print from 9 matrices Limited edition, print unique number ...

Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a woman laying with music notes in the background. The composition is monochromati...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a woman with a tube. The composition is monochromatic in blue. The paper/cardboard...

The artwork will be sent unframed Linocut and Monotype print „Loneliness 2 ” 2021 Limited edition, print unique number 1/5 Paper Fabriano Rosaspina 220 g Paper size 15,75x19,69 inch...

Signed lower right, 'W.Georgetti', and created circa 1950. Born in Italy, this California Post-Impressionist came to the United States at the age of one. Georgetti first worked as a merchant seaman to support his art studies and traveled all over the world accumulating sketches, many of which he later worked up into paintings. He made frequent visits to France, where he was influenced by the Post-Impressionists and, particularly, by the Nabis. An innovative theorist, Georgetti was the originator of the style known as California Fauvism. He exhibited widely and with success, both at exhibitions and at one-man shows (Oakland Art Gallery, 1942-44; Society of American Graphic Artists, NYC, 1944; Maxwell Galleries, 1940’s; de Young Museum...

"Future III" is a Bauhaus-inspired monotype and collage (work on paper) reminiscent of the aesthetic of Le Corbusier. It is part of Bouton’s "Habitat and Urban Matter" series, which is inspired by the straight lines of modernist architecture and hard-edged geometrical forms of the urban environment. Bouton, a French printmaker from Paris who has also lived in London, Myanmar, Ivory Coast, Senegal, and Turkey, creates work that responds to her experiences during her travels and the cultures she encountered. Since settling in the Philadelphia area, she has been inspired by the urbanism of the city, whether a sleek, new apartment block, an abandoned warehouse, or a half-demolished home. Her latest works are interpretations of these buildings, with both broad street views and focused details from single structures –- the pattern of the skyline, a patchwork of broken windows, an industrial color palette. She is drawn to the history of the spaces and lives lived within these buildings, as well as their intrinsic beauty of the structures, whether that beauty emerges from design or degradation, or some combination of the two. Signed and dated. Bouton is a French artist living and working in the Philadelphia area whose boundary-pushing printmaking and paper works exhibit influence from living and working in international cities across the globe. Bouton earned her BFA in Painting and Printmaking and her MFA in Arts and Textile Design from the prestigious ESSAA Duperré in Paris, France. Since leaving Paris 15 years ago, Bouton has lived and exhibited her work internationally in Paris (France), London (UK), Philadelphia (USA), Rangoon (Burma/Myanmar), Abidjan (Ivory Coast), Dakar (Senegal) and Istanbul (Turkey). She has presented solo exhibitions at the Biennale de l’Art Africain...

The artwork will be sent unframed Linocut and Monotype print „Loneliness 3 ” 2022 Limited edition, print unique number 6/6 Paper Fabriano Rosaspina 220 g Paper size 19,69x15,75 inch...

The artwork will be sent unframed Linocut and Monotype print „Loneliness 4 ” 2022 Limited edition, print unique number 6/6 Paper Fabriano Rosaspina 220 g Paper size 19,69x15,75 inch...

Carlos Rene Aguilera (Cuba, 1965) 'La fruta perdida', 2001 monotype on paper Deponte 300 g. 26 x 19.7 in. (66 x 50 cm.) ID: AGC-302 Unframed