Patrick Procktor

Northern Lass, from Europaeische Graphik VII by Patrick Procktor, 1971

1971

The Bird Cage, No.14, 1947 lithograph 30 x 40 in 76.2 x 101.6 cm signed in the plate From a 1947 gouache and chalk original (53.3 x 48.2 cm), the motif also worked into 'Boy and Bir...

Odds and Ends 1987 signed, dated, titled and numbered in pencil, edition of 48 lithograph, unframed 30.5 x 30.5 cm 12 x 12 in

Woman with her Husband in the Garden by Stella Steyn, 1929 circa Additional information: Medium: lithograph on wove 13 x 16 7/8 in 33 x 43 cm signed and numbered 1/15 in pencil Ste...

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering apprenticeship after a year and studied at Goldsmiths' College School of Art, where he specialized in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel Palmer, the late Turner, Paul Nash and Henry Moore. He held his first and second exhibitions of drawings and engravings at the XXI Gallery, London, in 1925 and 1928. and was a member of the Royal Society of Painter-Etchers and Engravers from 1926-33. Sutherland taught engraving at the Chelsea School of Art from December 1926 and composition and book illustration 1935 to July 1940. He exhibited at the N.E.A.C. 1929-33 and with the London Group from 1932 (member 1936-7), experimenting with painting in oils from 1930 until, in 1935, the year after his first visit to Pembrokeshire, he decided to become a painter. He participated in the International Surrealist Exhibition in London 1936 and had his first one-man exhibition of oil paintings, mainly Welsh landscapes, at the Paul Rosenberg and Helft Gallery 1938. As an Official War Artist 1941-4 he painted scenes of bomb devastation and of work in mines and foundries. Sutherland's first New York exhibition was at the Buchholz Gallery 1946, and in the same year he completed the 'Crucifixion' for St Matthew's Church, Northampton. He taught painting at Goldsmiths' College as a visiting instructor and since 1947 worked for several months each year on the French Riviera. He was a trustee of the Tate Gallery 1948-54. Painted the portrait of Somerset Maugham 1949, the first of a series which includes Lord Beaverbrook, Sir Winston Churchill and others. He completed the designs for the Coventry Cathedral tapestry, 'Christ in Glory in the Tetramorph', between 1954 and 1957 (installed 1962). Has also designed posters, ceramics, book illustrations, and ballet costumes and décor for The Wanderer 1940. Important retrospective exhibitions have been held at the I.C.A. 1951, the Venice Biennale and the Musée National d'Art Moderne, Paris, 1952, the Tate Gallery 1953, and at the São Paulo Bienal, Brazil, 1955. Awarded the O.M. 1960. Collections include the Courtauld, London, and that of David Bow

Artist: Corneille, Belgian (1922 - ) Title: La Femme masque comme pour une fete Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: HC 4/15 Size: 26 in. x 19.5 in. ...

Margherita - Gennaio Delle Signore Italiane is an original lithograph realized by an unknown artist in 1881. Good conditions.

Woman With Parrot is a very colorful lithograph realized by the artist Michael Ciomakov in the 1970s . Hand-signed in pencil on the lower center. N...

Joan Miró (Spanish, 1893-1983) Atmosfera Miró, 1959 Color lithograph Signed lower right, numbered 108/160 lower left 8.25 x 8 inches Joan Miró Ferra was born April 20, 1893, in Barc...