Comics Figurative Prints

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Roy Lichtenstein Eddie Diptych: Selections from the Ileana and Michael Sonnabend Collection, rare Princeton University Art Museum poster, 1985 Offset...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Josh Agle (born August 31, 1962) is an American artist, better known by the nickname Shag. Agle's nickname is derived from the last two letters of his first name, and the first two ...

Roy Lichtenstein As I Opened Fire Triptych (Corlett App.5), 1966, ca. 2001 Set of three (3) Color Offset Lithographs on wove paper. Museum stamped verso. Unframed Museum stamped vers...

Yves SAINT-LAURENT La Vilaine Lulu in the Village, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edite...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

Vintage, 1975, Leo Castelli New York Gallery exhibition poster; signed, lower right, in felt pen, 'R. Lichtenstein' for Roy Lichtenstein (American, 1923-1997). Roy Lichtenstein firs...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Artist: Peter Max (1937) Title: Woodstock Profile Year: 2002 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.87 x 4.5 inches Condition: Excellent Insc...

Shunga is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Making love in the winter on a terrace, behind the couple stone sculpture of the Jizo-Bosatsu. ...

Mushae is an original modern artwork realized by Utagawa Kuniyoshi (1798 – 1861) in the half of the 19th Century. Original woodcut print rom the se...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Artist: Raya Sorkine Title: "La Roue Qui Tourne" Title: Wedding in Venice Year: 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and number...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Alphonse MUCHA (after) Exhibition "Grand Palais" in Paris, 1980 Vintage Exhibition Poster Hi-Quality offset print On nice paper 60 x 40 cm (c. 24 x 16in) Very good condition, light...

Quinquina Royal Est un vrai trésor. Original Quinquina Royal antique French liquor poster. Artist: Eugene Oge. Size: 38.75" x 55". Archiv...

Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Frame inc...

Original theatrer release for: The Wizard of Oz Children's Matinees vintage movie poster. With Judy Garland, re-release 1972 movie poster. Linen backed. Professionally restored original fold marks. 1972 rerelease of this movie shown in movie theaters.. Starring Judy Garland, Frank Morgan, Ray Bolger...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap digital and giclée reproductions. Ed. 1,500 In December of 1894, Mucha visited a print shop contracted to create a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris at the time. Mucha volunteered to produce a lithographic poster within two weeks, and on January 1, 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she signed a six-year contract with the artist. Written by Alexandre Dumas (son) when he was 23 years old, and first published in 1848, "La Dame aux Camélias...

Une petite Promenade en Mer is a b/w lithograph (plate n.10) from the satirical print series “Les Trains de Plaisir”, composed of caricatures “de mœurs” (of behaviours), realized by ...

The Actor Nakamura Shikan II is an original modern artwork realized by Utagawa Hirosada (Japanese, active 1825–75) in 1850. Original woodcut print chuban format, 1850. Signed Hirosada. Publisher: Kagawa. From the series "Kokon yujin ki" (Transcription on past and present heroes). The actor Nakamura Shikan II as Danshichi Kurobei in the play Natsumatsuri Naniwa kagami. Excellent impression, fresh in colour, with blindstamping (floral design), visible wood grain (grey kimono...

Original poster: THE SAURDAY EVENING POST. Artist: Noman Rockwell. Size: 21.75" x 28". Archival linen backed in very fine condition. The painting for this original poster ...

Japanese Block POP ART technique with a nude Geisha Comes unframed About the Artist World-renowned guru of Jap Pop Art - Zane Fix, is an American artist, ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Thinking of Him)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 27" x 26" Image size: 22.25" x 22.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Notes: Provenance: acquired directly from the printer Springdale Graphics, Springdale, CT. Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1963, 68" x 68", magna on canvas painting "Thinking of Him" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (The Red Horseman)" *Dedicated, signed, and dated by Lichtenstein in pencil lower right Year: 1975...

This exhibition poster promoted a retrospective of drawings by Pop artist Roy Lichtenstein at James Goodman Gallery in New York in 1984. The work depict...

Artist Unknown "Fashionable Dress, 145" 1914 Etching

Charles Turzak, 'Dancers', 1939, wood engraving, edition 100. Signed, titled, and numbered 72/100 in pencil. A fine, richly-inked impression, on off-white Japan paper, with full marg...

SALE ONE WEEK ONLY "As I opened fire" is a lithograph triptych by Roy Lichtenstein whose provenance is printed on verso: Coll. Stedelijk Museum Amsterdam. Editions were copyrighted by the Stedelijk Museum Amsterdam and corrected with the original and printed in the Netherlands. Each piece measures: 25 1/8" h x 20 5/8" w. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching atRutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Original poster: Lido "Pour Vous"; artist: Rene Gruau (Renato De Zavagli, 1910-2004); size: 15.25 x 23 1/8". Archival linen backed the original Lido Cabaret poster in excellent c...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Roy Lichtenstein Mirror Images Offset Lithograph 2000 33.07 x 23.22 inches (84 x 59 cm) Unsigned as issued Publisher: VG Bild-Kunst, Bonn - Germany COA provided The exhibition in Wo...

Roy Lichtenstein As I Opened Fire, set of 3 Lithographic Posters: An authorized reproduction of Roy Lichtenstein's painting entitled "As I Op...

From Les Maitres de L'Affiche, plate 94. Printed by Imprimerie Chaix, Paris. Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an a...

Original “Is that Gun LOADED?” vintage National Rifle Association of America vintage poster. Archival linen backed in excellent condition, mint, and ready to frame. Printed in 1946 on a thick cardboard stock. Excellent condition, vibrant green and reds. 22 x 14 inches. NO paper loss, no tears. These are images of the exact poster you will receive. The poster shows a careless man incorrectly holding a rifle pointing towards another person. The men’s camping gear...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Drawings from the Bible by Marc Chagall, Verve: Revue Artistique et...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

Imao Keinen, 'Tree Peony and Blue and White Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban dipty...

Original 1970s Las Vegas Fun Map. Archival linen backed and in very good condition, ready to frame. The poster is not signed by is presumed to be done by “King”. Size: 22 5/8" x 34" The linen backing corrected the pin holes in the poster, and the borders were restored. The edge tear was restored. The color matches the known existing copy, which is housed at Standford. B condition. As you venture down the strip in this vintage Las Vegas Fun Map, you will find the Tropicana, Aladdin, the old MGM Grand...

Hand Embellished Giclee on Canvas Limited Edition of 135 Hand Signed by Todd White COA Included 2021 Todd white captures restaurant, night and Hollywood scenes with contrasting col...

Besancon La Mouillere PLM. Ca 1930. printed by Gerin Paris Color lithograph. On Linen Lucien Pillot registered as a member of the Société des Artistes Français. He had previo...

Poppea is an original lithograph realized by Tono Zancanaro in 1981. Hand-signed. Artist's proof.

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

"Blind Man’s Bluff at the Imperial Russian Court" lithograph is hand-signed and numbered in pencil. Philippe Noyer was born June 28, 1917 in Lyon. After a traditional course of study at the elite Ecole des Roches, Noyer enrolled in the Beaux Arts (Fine Arts) School of Lyon, before going to Paris to study at the Paul Colin School of Art and experience the whirlwinds of Surrealism first hand on Paris' Left Bank. Philippe Noyer started his painting career in 1943. That same year he met the famous Paris art...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Ken Steacy 1994 Signed Limited Edition Star Wars Galaxy Darth Vader "Galaxy" 1994 Artist: Ken Steacy Medium: Lithograph Arches Paper Paper Size: 23½" x 30" inches Image Size: 17½" x...

Red Grooms Grand Central Terminal (signed and inscribed to renowned attorney), 1993 Offset lithograph poster (signed and inscribed in marker to Herbert Nass) Signed, inscribed to Her...

Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...

Tsukioka Yoshitoshi (Japanese, 1839 - 1892) 'The Spirit of the Komachi Cherry Tree', or 'Komachi-Zakura no Sei' 1889 From the series '36 Supernatural Beings in New Forms' or 'Shinga...

Jean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...

Original Los Angeles, United Air Lines vintage travel poster. Archival linen backed in A- condition, ready to frame. Images shown are of the exact poster you will receive. Step ...

Fritz Eichenberg, 'The Wolf and the Little Kids' from the suite 'Fables with a Twist', wood engraving, 1975-76, artist's proof apart from the edition of c. 50. Signed, titled, and annotated 'Artist’s Proof' in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with descriptive text in red and black linotype. Printed by master printer Harold McGrath at The Gehenna Press, Northampton, MA. Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm). Archivally sleeved, unmatted. Collection: Harvard Museums. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

A silkscreen print by Allan D'Arcangelo from 1978. A pop art style montage of iconic American imagery. Unframed. Artist: Allan D'Arcangelo, American (1930 - 1998) Title: Icarus Yea...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the rever...

Vintage offset print, from "Valentina" to "O", in a vintage poster realized in 1976 after Guido Crepax., in occasion of his exhibition at Galleria Rondanini, Rome.  Very Good condit...

Vintage offset print, from "Valentina" to "O", in a vintage poster realized in 1976 after Guido Crepax., in occasion of his exhibition at Galleria Rondanini, Rome.  Very Good condit...