Document Figurative Prints

Kino Plasticon. Ca 1920s. Budapest. Color lithograph The Hungarian artist and illustrator Geza Farago worked in Budapest as a cartoonist, theatrical costume designer and poster ar...

"Kiss Me Stupid Exhibition Poster" is a poster by Valerio Adami. The poster was created for the Kiss Me Stupid show at the Galerie Maeght. This graphic black and white composition sh...

The Chap-Book. Color lithograph/Price Cents /1895. Published by Stone & Kimball Chicago Designed by Claude F. Bragdon. On Linen .Minor wear at edges and at top of poster. Minor paper...

Rozsa/Szucs. Ca 1915. Budapest. Color lithograph. Hungarian Art Nouveau posters are rare. Bardócz was a graphic artist and painter, active between the 1910’s and the 1930’s. His p...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

"7Eme Bal de l'AAAA Skater" is an original color lithograph poster by Ludovic Rodo Pissarro. The artist signed the piece in plate lower right. It depicts a wo...

Art Desks by E. Brady Robinson features photographs of the desks and working spaces of artists, curators, art dealers and critics throughout the East Coast. This project explores the...

Hazenplug, Frank. Chap Book. Color Lithograph, 1895. 20 1/2 x 14" Frank Hazenplug, was an artist who made engravings, typography, and posters. He also illustrated books Hazenplug worked for Chicago firm Stone & Kimball and designed books for them, continuing with the company even after it became Herbert S. Stone. Hazenplug also designed books for other publishers, such as Fleming Revell, George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane...

"La Conquéte Du Pôle (The COnquest of the Pole)" is an original lithograph poster by an unknown artist published by the Club of America. It depicts personifications of major world po...

"Marilyn Monroe Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti Digital print on canvas. Stretched on wooden bars. Signed and numbered by the artist. Marilyn is ...

Émile Bertrand's poster for Jules Massenet's Cendrillon, advertising the première performance at the Théâtre National de l'Opéra-Comique, Paris. 1899. Color lithograph. On linen. De...

Valerio Adami Jacques Derrida's Portrait Original Signed Lithograph Signed and Numbered Dimensions: 90 x 60 cm Edition: 50

Mr.'s Room. Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 57.5 x 46.3 cm Edition 176/300

Fleet Street by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 11.2 x 11.2 cm (4 ³/₈ x 4 ³/₈ inches) Initialled, titled and dated on the plate Signed lo...

Vintage Exhibition Poster - Henri Matisse - Drawings - New-York after Henri MATISSE 1967 75 x 52 cm References : Poster for the 1967 exhibition at Albert LOEB & KRUGIER Gallery in N...

Superman shadowbox over 4 comic book strips pub. 1974 by the National Periodical Publications w/ original chrome frame Image Sz: 18 1/4"H x 14 1/4"W

after Marc CHAGALL (1887 - 1985) Poster for "Les peintres témoins de leur temps Musée Galiera" 1963 Created by Charles Sorlier after Chagall's 1937 painting...

Vins Camp Romaine. Ca. 1935. Color lithograph, 62 1/2 x 46 1/2" on linen

We have seven of Julian Trevelyan's 'Thames Suite' of prints, plus other prints and oil paintings by him - and other Modern British Artists. To see the others, scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for "Trevelyan". Julian Trevelyan (1910-1988) Islam Etching 35 x 48 cm (sheet size 55 x 68 cm) Nephew of the historian G M Trevelyan, Julian Trevelyan was educated at Bedales and then at Trinity College, Cambridge, where he read English. After moving to Paris, Trevelyan studied engraving at Stanley William Hayter’s school, working alongside artists such as Max Ernst, Joan Miro and Pablo Picasso. He married the potter Ursula Darwin in 1934, and in 1935 they moved to Hammersmith, buying Durham Wharf beside the River Thames which was Trevelyan’s studio – and home – for the rest of his life. His wartime service was – like so many artists – as a camoufleur. A Royal Engineer...

Floating Books is a lithograph on paper with an image size of 3.5 x 2.5 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fr...

Enki Bilal - Cyclops - Original Lithograph Publisher: Amis du Livre Edition: 240 2012 Dimensions: 42 x 30 cm. Unsigned and unnumbered as issued

Magnificent work by Yvon Taillandier his emblematic character whom he calls " Capitipee " (" Kapi" for the head and " footstool " for foot) silkscreened on a page of an antiphonary d...

Screen Print on Munken Pure paper.. Hand signed and numbered by Ben Frost. From the edition of 36. Frame size approx 23 x 19 inches. Artwork is in exc...

Do it! Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 65 x 50 cm Edition 22/300

Enki Bilal - The Kiss - Original Lithograph Publisher: Amis du Livre Edition: 240 2012 Dimensions: 42 x 30 cm. Unsigned and unnumbered as issued

Eduardo Arroyo - Can You Play Piano ? - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Artist: Andre Masson Title: Le Septieme Chant Year: 1974 Medium: Portfolio of four Etchings on Arches, signed and numbered on the colophon Edition: 157/175 Paper Size: 15 x 11.5 inc...

Twenty Flight Rock. Offset print by Mr. (Iwamoto Masakatsu) Offset print, numbered and signed by the artist 65 cm Diameter Edition 22/300

Lithograph on paper. Hand signed, dated and numbered by the artist. Image size 31 x 15.5 inches. Sheet size 36 x 21 inches. Frame size approx 43 x 26.75 inches. From the edition P...

Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Amazon Year: 2001 Medium: Serigraph, signed and numbered in pencil Edition: 199 Image Size: 24 x 17.5 inches Size: 30.5 x 22.5 in. ...

Screen print and spray paint on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 6 of 15. Artwork size 30 x 22 inches. ...

Artist: Pierre Fix-Masseau, French (1905 - 1994) Title: Jacomo, Monte Carlo Open Year: 1985 Medium: Lithograph Poster, signed in pen Image Size: 30 x 21 inches Size: 33 x 24 in. (83....

Mani Sunset, 2025 Tom Hammick Reduction woodcut in colours On Saunders Waterford wove Signed, titled, dated, numbered and inscribed 'E.V.' (edition variable) From the edition of 25 ...

And Now The Neighborhood Kids, Woodblock Print by Daniel Duford, 2013

Oh I Miss You, Woodblock Print by Daniel Duford, 2013

Perhaps I'll Climb, Woodblock Print by Daniel Duford, 2013

But As I Say, Woodblock Print by Daniel Duford, 2013

The Foreign Gifts, Woodblock Print by Daniel Duford, 2013

Today, Woodblock Print by Daniel Duford, 2013

The World Is Altered, Woodblock Print by Daniel Duford, 2013

When I Return, Woodblock Print by Daniel Duford, 2013

Everything Will Be Fine, Woodblock Print by Daniel Duford, 2013

Very rare original poster for Peter Doig's 2004 exhibition "Metropolitain" at Kestner Gesellschaft in Hanover. The show took place from 9 July - 12 September 2004. The exhibition po...

Digital Giclee on MOAB Entrada Cotton Rag 290 GSM Paper. Hand signed and numbered by Ben Frost. From the edition of 50. Artwork is in excellent condition. Certificate of Authentic...

Corneille. Eternel éte. 1998. Portfolio with 5 engravings. Edition: 80 ex. Publisher GKM. Unframed. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the found...

Linda Stein's Below the Eyes prints draw from her Profiles series—drawings, collages and paintings of facial profiles she made in the 1960s and 1970s when she was coming to terms wit...

1869 "Vanity Fair" Office Vol. I. Fifth Edition A Show of Sovereigns on Statesman, Judges and Men of the Day 46 full-colour plates 14.5" x 9.75"

Unstretched giclee on canvas. Hand signed and numbered by the artist. Edition of 35. Image size when stretched is approx 14 x 14 inches. Unstretched canvas size is 19 x 19 inches. ...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

Etching on paper. Hand signed, titled and numbered by the artist. Sheet size 10 x 14 inches. Image size 5.75 x 8.75 inches. Edition of 300. Artwork is in excellent condition. Cer...

Honore Daumier (1808-1879), L'Homme in naturalibus, lithograph, from the Robert Macaire 2nd series, plate number 17. Published 1840-41. In generally good condition; a tiny hole lowe...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Screenprint on paper. Hand signed, dated and numbered by the artist. Image size 35 x 24 inches. Sheet size 39 x 28 inches. Frame size approx 45 x 35.25 inches. From the EA edition...

"L'Estampe Moderne - David Barnett Gallery Exhibition, Feb. 18, 1978 - Mar. 25, 1978" is an offset poster limited edition, ed. 1/500. The poster...

"Merry Christmas" is an original color woodcut on paper by Sylvia Spicuzza. The artist stamped her signature lower right. This artwork features the an abstracted figure on orange p...

"Philadelphia Sunday Press" is an original figurative lithograph poster of black and red. 1895. 21.75" x 15.3125" art 28.5" x 22.75" framed George Brill was born August 27, 1867 in...

Que haces tu para Evitor Esto? Ayuda a Madrid. Ca 1936 -1939. ( What are you doing to prevent this? Help Madrid) On Linen. Hand-modified photographic image of a tearful mother and child in foreground with bombed-out building and war planes...

Color lithograph, 1896. On Linen. Signed on the plate. Ref: Dad Plakat 501; American Poster Renaissance, Margolin p. 74 American Painter and Illustrator. Charles Herbert Wo...

N.M. Kochergin. Razrukha I armiya truda! (Dislocation and the Army of Labor). Red Russian propaganda poster designed by N. Kochergin, verses by Demyan Bednii, Color lithograph, 1920. 22 x 30". Ref: The Bolshevik Poster...