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Frederick Mershimer
42nd Street.

1997.

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  • Above the Rush
    By Frederick Mershimer
    Located in New York, NY
    Fred Mershimer created "Above the Rush" in 2003 using mezzotint and aquatint printmaking techniques. The edition of 120 pieces is printed in color. It is signed, titled, and dated ...
    Category

    21st Century and Contemporary American Realist Interior Prints

    Materials

    Mezzotint, Aquatint

  • Across the Floor.
    By Frederick Mershimer
    Located in New York, NY
    Fred Mershimer created this piece using mezzotint and aquatint printmaking techniques with handpainted watercolor. "Across the Floor" was printed in an edition of 120 in 2011. It ...
    Category

    21st Century and Contemporary American Realist Prints and Multiples

    Materials

    Mezzotint

  • Niagara
    By Frederick Mershimer
    Located in New York, NY
    NIAGARA Contemporary artist Frederick Mershimer created the mezzotint engraving entitled “Niagara” in 2021. This impression is signed, titled, dated, and inscribed “5/45”- the 5th ...
    Category

    21st Century and Contemporary American Realist Landscape Prints

    Materials

    Mezzotint

  • Crossings
    By Frederick Mershimer
    Located in New York, NY
    CROSSINGS Contemporary artist Frederick Mershimer created the mezzotint engraving entitled "Crossings" in 1998. This impression is signed, titled, and dated in pencil. The printed ...
    Category

    Late 20th Century American Realist Landscape Prints

    Materials

    Mezzotint

  • Hidden Cities I / second state
    By Peter Milton
    Located in New York, NY
    “Hidden Cities I : The Ministry. Second State.” Contemporary artist Peter Milton created this etching and engraving in 2006. The printed image size is Image size 23.50 x 36.88 inches and the paper size is 31 x 42 inches. This impression is signed, dated, and titled in pencil and inscribed “11/75” – the 11th impression from the total printing of 75. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul. In addition to a storied career in printmaking, since 2007 Milton has fearlessly produced artwork digitally. He now creates images using Adobe Photoshop in files consisting of more than two thousand layers, which are printed both as digital prints on paper and, for display on Led light boxes...
    Category

    21st Century and Contemporary American Realist Landscape Prints

    Materials

    Engraving, Etching

  • Three Yellowlegs.
    By Frank Benson
    Located in New York, NY
    The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
    Category

    Early 20th Century American Realist More Prints

    Materials

    Drypoint

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  • Morning Paper
    By Alessandro Mastro-Valerio
    Located in Fairlawn, OH
    Morning Paper Mezzotint, 1941 Signed in pencil lower right Publisher: 32nd Presentation Print of the Chicago Society of Etchers Edition: 350 Illustrated in GREAT AMERICAN PRINTS 1900-1950 by Norman and June Kraeft Reference: Old Print Shop No. 86 Condition: Excellent Original brown paper hinges in the upper corners recto Plate/Image size: 8 7/8 x 5 15/16 inches Impressions of this image can be found in the permanent collection of: Minneapolis Institute of Art Wichita Art Museum Hope College, Kruizenga Art Museum University of Connecticut, Benton Art Museum Amherst College, Mead Art Museum "Mastro-Valerio was educated at the Salvador Rosa Institute in Naples, Italy (1906-1912), and came to the U.S. in 1913. He settled in Chicago, and after a brief period as a commerical artist, established a portrait studio near the Loop. Among his patrons were the industrialists Harvey S...
    Category

    1940s American Realist Nude Prints

    Materials

    Mezzotint

  • Morning Paper
    By Alessandro Mastro-Valerio
    Located in Myrtle Beach, SC
    Alessandro Mastro-Valerio, 'Morning Paper', 1941, mezzotint, edition 350. Signed in pencil. A superb, richly-inked, luminous impression, on cream, wove paper, with wide margins (1 9/16 to 1 13/16 inches), in excellent condition. Matted to museum standards; unframed. 32nd Presentation Print of the Chicago Society of Etchers, 1941, with the Chicago Society of Etchers blindstamp in the bottom, left margin. ABOUT THE ARTIST Painter and printmaker Mastro-Valerio was educated at the Salvador Rosa Institute in Naples, Italy (1906-1912), and came to the United States in 1913. He settled in Chicago and after a brief period as a commercial artist, established a reputation as a portrait painter. Among his patrons were the industrialists Harvey S. Firestone and Anheuser Busch. Mastro-Valerio was also the owner and editor of the progressive magazine 'La Tribuna Transatlantica'. He wrote and published articles supporting the cause of Italian immigrants. He helped form the Giordano Bruno...
    Category

    1940s American Realist Nude Prints

    Materials

    Mezzotint

  • Demolition in the Plaza del Toro
    By Reynold Weidenaar
    Located in Palm Springs, CA
    From the artists series of sketches in Mexico, showing a Cathedral and dramatic cloudscape in the background, and a destroyed plaza in the foreground. In 1944 he received a Guggenh...
    Category

    1940s American Realist Landscape Prints

    Materials

    Mezzotint

  • Sunrise Dahlia
    By Gatja Helgart Rothe
    Located in San Francisco, CA
    This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...
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    Late 20th Century American Realist Figurative Prints

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  • Some of 48 Tulips
    By Gatja Helgart Rothe
    Located in San Francisco, CA
    This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...
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    Late 20th Century American Realist Figurative Prints

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  • Keresan Dancers
    By Gene Kloss
    Located in Fairlawn, OH
    Keresan Dancers Etching & drypoint, 1962 Signed lower right (see photo) Inscribed lower left: "Artist's Proof Keresan Dancers" Depicts Keresan speaking peoples at Sam Felipe Pue...
    Category

    1960s American Realist Figurative Prints

    Materials

    Drypoint

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