George Braque

Lettera Amorosa - René Char by Georges Braque, 1963

Artist: Sophie Matisse Medium: Original Silkscreen, Signed, 2014 Dimensions: 24 x 28 in / 61 x 71.1 cm This beautiful original artwork designed by Sophie Matisse was printed by King & McGaw in 2014 and published by Mourlot. The print is hand-signed and numbered by the artist herself. Great-granddaughter of the world famous Henri Matisse, Sophie Matisse is a French-American artist from Cambridge, Massachusetts. After a brief stint at the Massachusetts College of Art and Design in Boston, Sophie decided to follow in her great grandfather's foot steps by attending the École des Beaux-Arts in Paris. Here she faced pressure to uphold her family's artistic reputation as well as the added difficulty of being taught in French. Eventually, Matisse was asked to leave but she did not let that stop her from reaching the heights of her artistic career. In the 1990's Matisse set...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

This lithographic poster was published to promote an upcoming exhibition of Maurice Estève's paintings from 1935 to 1947 at the Galerie Louis Carré in Pari...

"I have always wanted my colors to sing." -Paul Delvaux This gorgeous and rich lithograph in Black & White by Belgian Surrealist Master Paul Delvaux, is a wonderful example of his ...

Artist: Raoul Dufy Medium: Lithographic Poster, 1953 Dimensions: 27.5 x 21 in / 70 x 54 cm Classic Poster Paper - Perfect Condition A This lithographic poster was designed after late artist, Raoul Dufy. It was created for an exhibition of his work at the Musée National D'Art Moderne in Paris, 1953. The original work was part of a series based on famous music composers...

'My eyes were made to erase all that is ugly." This original color lithograph was created by Raoul Dufy for his friend Jean-Louis Barrault in anticipation of a U.S. theatrical tour...

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

CHERET, JULES (1836 - 1932) "Emilienne d’Alencon" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #29, 1898. Plate #113 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to...

PRICE, JULIUS "An Artist’s Model" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #1, 1896. Plate # 3 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) PROMENOIR Delteil 290, Adhemar 324, Wittrock 315 Lithograph printed in olive black-green ink, c. 1899 Printed on japon paper, Full margi...