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David Hockney
Vintage Hockney poster New York Film Festival Lincoln Center french landscape

1981

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  • Vintage Hockney poster National Gallery (The Artist’s Eye)
    By David Hockney
    Located in New York, NY
    Original exhibition poster produced on the occasion of David Hockney’s 1981 exhibit for the series The Artist’s Eye at the National Gallery. As Hockney’s ...
    Category

    1980s Realist Portrait Prints

    Materials

    Offset

  • Vintage David Hockney Exhibition Poster Ashmolean Museum 1981
    By David Hockney
    Located in New York, NY
    Poster produced for David Hockney’s 1981 exhibition at The Ashmolean Museum, Oxford, which displayed the sets and costumes he designed for the Glyndebourne Festival Opera’s 1975 prod...
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    1980s Modern Interior Prints

    Materials

    Offset

  • Microwave Oven (A Couple in the Sea)
    By Colin Self
    Located in New York, NY
    A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings as seen here. The title of this print, Microwave Oven...
    Category

    Early 2000s Expressionist Nude Prints

    Materials

    Drypoint

  • David Shapiro: Rene Ricard vintage poetry tombstone print "carved in stone"
    By Rene Ricard
    Located in New York, NY
    The title of this poetic, abstract work is written across the top of the sheet. The hand-written cursive below reads: "David Shapiro / Told me he was going to / Carve his poems in st...
    Category

    1980s Contemporary Abstract Prints

    Materials

    Lithograph

  • Howard Hodgkin Late Afternoon in the Museum of Modern Art abstract black white
    By Howard Hodgkin
    Located in New York, NY
    Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...
    Category

    Late 20th Century Abstract Interior Prints

    Materials

    Etching

  • Artist and Model Howard Hodgkin abstracted orange and black watercolor gouache
    By Howard Hodgkin
    Located in New York, NY
    Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper. This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...
    Category

    Late 20th Century Abstract Interior Prints

    Materials

    Watercolor, Gouache, Etching

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    Orignal NEW ORLEANS GREYHOUND vintage travel poster; larger format size. Excellent condition that has acid-free archival linen backing; ready to frame. This image is from the old French Quarter section of New Orleans. It features two women entering into the courtyard and in the background, the old stairs leading to the upstairs area. A bright and colorful image that would compliment any room or office. A great New Orleans vintage poster...
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    1960s American Modern Interior Prints

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  • Reverberación
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    Serigrafía y hoja de oro sobre panel de MDF. Edición de 9 ejemplares más pruebas.
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  • Les Belles et La Bête I: The Rehearsal
    By Peter Milton
    Located in Middletown, NY
    Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...
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    1970s American Modern Interior Prints

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  • Les Belles et la Bête: Before the Hunt
    By Peter Milton
    Located in Middletown, NY
    Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area. [Milton 99]. Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
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    1970s American Modern Interior Prints

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    Archival Paper, Engraving, Etching

  • STRENGTH. REBIRTH. PURIFY. Lotuses. Interior floral print by Maria Matveyeva
    Located in Sempach, LU
    Print on canvas with lotuses “STRENGTH. REBIRTH. PURIFY” in realism, which was painted by the artist Maria Matveyeva. The print size is 50x50cm plus ...
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  • Canal at Amiens.
    By Eric Glidden Scott
    Located in Storrs, CT
    Canal at Amiens. 1925. Etching. 8 3/4 x 11 3/8 (sheet 11x 13 3/4). Edition 100, #32. A rich, well-inked impression with plate tone printed on cream wove paper. Monogrammed in the pla...
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