Kerry Day

Kerry Day, Elephant Ears Begonia, Limited Edition Print, Contemporary Linocut

Alexandra Buckle Torii Sea View Signed by the artist Limited Edition Linocut on Paper Edition of 12 Image size: 30 cm x 40 cm x 0 cm Sheet Size: 37 cm...

Ian Phillips Lighthouse Limited Edition Linocut Print on Paper Edition of 12 Image Size: H 56cm x W 76cm x D 0.01cm Sold Unframed Free Shipping Please not...

Jennie Ing Red Battersea Powerstation III Limited Edition Linocut Print Edition of 20 Size: H 45cm x W 33cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an ind...

Kerry Day Elephant Ears Begonia Limited Edition Linocut Print Edition of 10 Size: H 43cm x W 42cm x D 0.1cm Sold Unframed Please note that insitu images are ...

Civic Building – Manaus, Eliza Southwood Limited Edition Silkscreen Print of 20 Silkscreen Print on Paper Size: H 97cm x W 67cm Signed and titled Silkscreen Print – A printing techn...

Ian Phillips Mist Limited Edition Linocut Print on Paper Edition of 11 Image Size: H 38cm x W 51cm Sheet Size: H 40.5m x W 64cm x D 0.01cm Sold Unframed Free Shipping Mist is a limi...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

Charming drypoint etching of a series of three arched interior doorways by Susan Varjavand (American, 1941-2018). Numbered, titled, and signed ("13/20 Whisperings at a Cross Point Susan Varjavand") along the bottom edge. Presented in a new cream mat. No frame. Image size: 14"H x 11"W Susan Varjavand (American, 1941-2018) was an artist from San Francisco, California. She studied with Patricia Pearce (American, b. 1948) while at the College of San Mateo, as well as with Richard Bowman (American, 1918-2001) and Alan May...

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype portrays an iconic building facade from the thirties. Details: + Title: Thirties Building with...

Trees. 2016. Paper, etching, 2/5, 29x40 cm

Resist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...