Richard Earlom after Lorrain

Richard Earlom after Lorrain - 1802 Etching, Liber Vertatis Landscape No. 7

1802

A truly striking acid bath etching showing an interior inspired by the house inhabited by the protagonist of Herman Hesse's novel, Steppenwolf. The interi...

A fine aquatint with hand colouring depicting the Pump Room, Bath by John Hill after John Claude Nattes (c.1765-1839). Published in 1804 by W. Miller...

Drypoint 3/3. Signature, date and title inscribed below plate lines. On watermarked wove.

Drypoint 1/3. Signature, date and title inscribed below plate lines. On wove.

A characterful etching with plate tone by the notable British printmaker, Graham Clarke. The naive scene depicts the heart of the home- the hearth- roaring on a cold winter's evening. A couple can be seen sitting comfortably in his and her chairs...

Pupils relax in a magnificent schoolroom. Sumner has achieved a magnitude of depth and detail through his expert etching technique. The plate is inscribed 'Etched by Heywood Sumner...

’The Parlour’ By Richard Bawden Medium - Etching Signed - Yes Edition - 33/85 Size - 775mm x 570mm Richard Bawden 1936 Painter and printmaker, born in Braintree, Essex, the son of...

Hand Coloured Photopolymer Gravure with Chine Colle on Fine Art Paper. Contemporary Photography, Photomontages, Interior Spaces, Butterfly. Work Title : "Candle" Artist : Suzanne Moxhay...

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Abandoned place, Urbex, Nature. Work Title : "Room with Armchair" Artist : Suzanne Moxhay (UK, Born 1976) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H30 x W25 cm H47 xW42 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...

Work : Original Gravure, Handmade Artwork, Limited Edition of 15. The work is not framed. Medium : Photopolymer Gravure on Fine Art paper 300Gsm Artist : Suzanne Moxhay Subject / Ti...

Work : Original Gravure, Handmade Artwork, Limited Edition of 15. The work is not framed. Medium : Photopolymer Gravure on Fine Art paper 300Gsm Artist : Suzanne Moxhay...

Photopolymer Photogravure Etching on Fine Art paper. Interior Photography, Romantic, Abandoned place, Nature, Window Work Title : "Open Window and Rain" Artist : Suzanne Moxhay (UK) The work is signed and numbered, delivred with certificate of authenticity issued by the artist. Without Frame. Image H21 x W29,5 cm H54 xW39 cm with white borders. Limited edition of 15. Year 2019 "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." The London-based artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting...