Roberto Matta

L'AUTOAPOCALIPSE III

1984

Roberto Sebastian Matta "L'Autoapocalipse I" Year: 1984. Dimensions Height 15.8in, Width 19.7in Etching on Fine art paper Edition: From the edition of 150 hand signed & numbered by t...

Roberto Sebastian Matta "L'Autoapocalipse II" Year: 1984. Dimensions Height 15.8in, Width 19.7in Etching on Fine art paper Edition: From the edition of 150 hand signed & numbered by ...

Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Christo and Jeanne-Claude Wrapped Walk Ways, 1983 Lithograph on Arches Cover White mounted on museum board, with collage of white cloth 28 × 44 in. - 71 × 112 cm Edition: 68/100 Sign...

Jean Michel Basquiat "Untitled 1997" Limited Edition Print: Lithograph in Colors Approximate Size: 30 x 22 in 76 x 56 cm Edition: Unnumbered limited edition Other: Stamped By Artist...

Artsist: Damien Hirst Title: 'H13-1 Deadman's Cove" Year: 2023 Medium: Laminated Giclee print on aluminium composite panel Size: 47.2 x 35.4 Inches Edition: Edition of 346 Numbered a...

Born 1961, Alexandria, Egypt Lives and works in Cairo. After studying economics, Nasr decided to change direction and take a studio in Old Cairo. As a self-taught artist Nasr gained...

Matheus Chiaratti was an artist in residence at Villa Lena in October 2020. The limited edition print he worked on with Il Bisonte will be available in early 2021 Chiaratti’s produc...

Work : Original Photogravure / Etching, Handmade Artwork, Limited Edition of 15. The work is not framed. Medium : Photopolymer Gravure on Fine Art paper 300Gsm Artist : Suzanne Moxh...

Alan Herman is a native New Yorker who graduated with a BFA from The Philadelphia College of Art, and an MFA from Temple University. After graduation he returned to New York and desi...

This piece is part of an ongoing project entitled "Fragmentary Views" (2001 - Present) by Xiaoze Xie, which is a series of paint-compositions based upon photographs of found newspaper piles. For Xie, stacks of printed pages represent not only cultural memory and the passage of time, but the ways in which history is interpreted and recorded according to various belief systems and political agendas. This is a lithograph, signed, dated 2006, and numbered 28/30 The artist continues his ongoing series of works, Fragmentary Views (2001 to present), which explores the vulnerability and fragmentary nature of historical memory, and the general and superficial perception of world events in the age of ready global media. The paintings depict stacked newspapers where only bits of information are visible-a greater understanding is implicit, but just out of view. "What interests me most is the temporary nature of this mundane object loaded with all-encompassing information of changing daily life: from the front-page news to stock market columns to birth announcements and obituaries. Newspapers are recycled. Life goes on." - Xiaoze Xie In the compressed stacks of newspapers, viewers will notice partial images of fragile life in Baghdad, distraught looks of disbelief of suicide attack victims, the building site of the World Trade Center, campaigns against Fa Lung Gong, and, more recent events that are closer to home. The gravity of these events is muffled as it is embedded in the mundane scroll of daily life. Xiaoze Xie immigrated from the People's Republic of China in 1992, where he was born and studied art and architecture. He has MFA degrees from Beijing and North Texas University, and taught at Bucknell University before assuming his post as Professor of Art at Stanford. His works are in the collections of the Museum of Fine Arts, Houston, the Scottsdale Museum of Contemporary Art and distinguished private collections. Solo Exhibitions Scottsdale Museum of Contemporary Art, AZ Dallas Visual Art Center, TX Modern Chinese Art Foundation, Gent, Belgium Charles Cowles Gallery, New York Gallery Paule Anglim, San Francisco Nicholas Metivier Gallery, Toronto China Art Archives and Warehouse, Beijing Gaain Gallery, Seoul Devin Borden Hiram Butler Gallery, Houston, TX He has participated in numerous group exhibitions including Shu: Reinventing Books in Contemporary Chinese Art at the China Institute Gallery in New York and Seattle Asian Art Museum, and the traveling exhibition Regeneration: Contemporary Chinese Art from China...

Hand signed and dated intaglio etching in color. 1982 Corner Reflections #2 Jane E. Goldman was born in Dallas, Texas in 1951 and received her Bachelor of Arts degree from Smith College and a Master of Fine Arts from the University of Wisconsin. She is known for her high color floral and nature design painting, printmaking and teaching. Goldman's media include watercolor, oil painting, silkscreen, intaglio print, lithograph, relief, screenprint,. aquatint etching and terrazzo. "Lyrical realism," based on a combination of free association and direct observation, best describes her style. Goldman’s luminous prints reveals the artist’s muse in a graphically novel way. Her work pays homage to 19th-century naturalist and artist John James Audubon. Goldman’s sun-dappled still life compositions, sprays of cut flowers in glass vases and lush flora growing in natural environments frame each setting and cast shadows across opened books that display images from Audubon’s Birds of America. Jane Goldman dance of light and dark patterns over table cloths, floor tiles and interior views dazzle with their use of color and composition. Goldman is the co-owner/director of Mixit Print Studio in Somerville, Massachusetts. A nationally recognized painter and printmaker, she has taught at Massachusetts College of Art, the University of California at Los Angeles, Rice University in Houston, and the University of Hartford. She has been a visiting artist at many institutions, including Harvard University, the University of Wisconsin, Smith College, Wellesley College, and the University of Dallas. Since 1975, Goldman’s work has been exhibited widely in the United States and abroad. She has received grants from the Massachusetts Council on the Arts, MacDowell Colony, Yaddo, and the Virginia Center for the Creative Arts. She has also received residency fellowships from the Ballinglen Arts Foundation in Ireland, the Oberpfälzer Künstlerhaus in Germany, and the Cite des Arts in Paris. Along with Janet Fish, Richard Bosman, Gladys Nilsson, Mary Lee Bendolph, Marylyn Dintenfass, Sidney Hurwitz, Hunt Slonem, April Gornik, Karsten Creightney, Stanley Casselman...