Shepard Fairey

Liberté Egalité Fraternité France - Screenprint Handsigned

Shepard Fairey (Obey Giant) Andy Gill, Anti-Hero Screenprint Handsigned in pencil by the artist Dated 2020 Numbered /400 Size 61 x 46 cm (c. 24 x 18 in) Excellent condition

Shepard Fairey (Obey Giant) Angel of Hope and Strenght Screenprint Handsigned in pencil by the artist Dated 2020 Numbered /550 Size 61 x 46 cm (c. 24 x 18 in) Excellent condition

Salvador DALI (after) Museum of Figueras Lithograph on vellum Handsigned in pencil Numbered /500 Dated, 1974 69.4 x 49.3 cm (27 x 19.3 in.) REFERENCES : Catalog Michler and Lopsing...

Shepard Fairey (Obey Giant) (1970-) Woman portrait Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,6 in...

Shepard Fairey (Obey Giant) Liberté égalité fraternité (Liberty Equality Fraternity) Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,...

Shepard Fairey (Obey Giant) (1970-) Black Wave Screenprint Handsigned in pencil by the artist Unnumbered proof Size 90 x 60 cm (c. 35,4 x 23,6 in) Excellent condition

Gilbert & George (British, b. 1942 and 1943) The Singing Sculpture 1969-91, 1993 Medium: Relief print in colors, on aluminium foil (Dufex) flush-mounted to museum board, with screenp...

Koak (US American, b. 1981) Families Belong Together, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand-numbered and signed Condition: ...

Koak (US American, b. 1981) Female Comes In Many Forms, 2019 Medium: Five color risograph print Dimensions: 43 x 28 cm (17 x 11 in) Edition of 200: Hand numbered and signed Condition...

By Andy Warhol Committee, 1983 Screenprint 76 x 51 cm Edition of 2000 Signed, dated and numbered

Abstract Composition, Coffee Grinder Hand signed in Hebrew Lower right. limited edition. Dimensions: H 18.5" x 24.9" Bergner, Yosl (Vladimir Jossif) (b Vienna, 13 Oct 1920). surrealist, surrealism. belongs to the generation of people uprooted from childhood landscapes and forced by circumstance to build a life elsewhere. Uniquely, he became an Israeli without shedding his Jewish cosmopolitan-refugee identity, an identity he zealously guarded in the melting pot of Israel of the "fifties" and "sixties". In the years that have passed since he acquired his art education at the Melbourne National Gallery Art School in Australia, concepts in the art world have changed many times over. from the Jewish paintings and the depictions of Australian Aborigines through the children of safed, the wall paintings, the masks, the angels and kings, the still lifes, the "Surrealistic" paintings, the toys and flowers, the paintings inspired by the Bird-head Haggadah, the Kafka paintings, the Pioneers, the Kimberley fantasy (about his father's excursion in 1933 to northern Australia, in search of a "territory for the Jews"), Brighton Beach and the seascapes inspired by Eugene Boudin, through the chairs in the "Kings of Nissim Aloni" episode to the "Zionists" and the recent "Tahies". "During the six years that Bergner has lived in Israel," wrote Eugene KoIb, Direct. or of the Tel Aviv Museum, in the catalog of the Bergner exhibit in 1957, "he has established himself among Israeli artists." Bergner was indeed one of the artists who represented Israel in the Venice Biennial (1956; 1958) and in the Sao Paulo Biennial in 1957; this, in spite of the fact that Yosl Bergner did not harness his art to serve the Zionist ethos, that being, at the time, the order of the day (his paintings were in fact rejected at first as being those of a "Diaspora Jew"); he didn't "naturalize" himself by alliance to the country's landscape or its special light, nor did he turn to abstract painting. Painter of "the Jewish condition". the painter involved in Nissim Aloni's theater and the popular illustrator of poetry books and literary texts, he stuck to the narrative which drew its images from his childhood world, from Yiddish and from the Jewish culture of Poland in whose bosom he grew, with its literature, theater and fantasy. From this point of view his position as an "outsider", first in Australia and later in Israel, like that of the European Jew on the periphery of the dominant culture, afforded him a special dialectic vantage point from which to view his human and cultural surroundings. He was and remains a figurative painter even when he verges on the abstract. Israeli painter of Austrian birth, active in Australia. He grew up in Warsaw. His father, the pseudonymous Jewish writer Melech Ravitch, owned books on German Expressionism, which were an early influence. Conscious of rising anti-Semitism in Poland, Ravitch visited Australia in 1934 and later arranged for his family to settle there. Bergner arrived in Melbourne in 1937. Poor, and with little English, his struggle to paint went hand-in-hand with a struggle to survive. In 1939 he attended the National Gallery of Victoria’s art school and came into contact with a group of young artists including Victor O’Connor (b 1918) and Noel Counihan...

Third in the popular Pool boy series. Celebrating summer, positivity and the male form. Pool boy ripples is a CMYK screen print with beautiful spot layer for the simple pool ripples...