Paper Interior Prints

Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº1 + Year: 2024 + Edition Size: 100 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins...

Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...

A serigraph print by Pedro Friedeberg from 1987. An optical abstract image of a surrealist interior. Artist: Pedro Friedeberg, Mexican (1936 - ) Title: Teatro Microbiotico Year: 1...

Bridgetown from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, ...

Artist: Alexander Calder Medium: Original lithograph Title: Damier Portfolio: Derriere le Miroir #156 Year: 1966 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x...

Screenprint in colours, 1998. From 'Meine Kindheit - Schmerz und Heilung, UNICEF'. Signed in pencil, numbered from the edition of 100. Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm

Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication. Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey. Medium: Print Condition: Prints are in great condition and have been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021 Certificate of authenticity: Included (issued by authorized authenticating body) Frame: Not included Series: Revolution Publisher: Obey Giant Studio's Los Angeles California. Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...

Marcel Mouly (French 1918 - 2008) Untitled lithograph on woven paper with deep saturated colors in excellent condition. Well framed under plexiglass with a double matt, signed lowe...

Artist: Victor Vasarely Title: Profound Works Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Ed...

Damien Hirst (British, born 1965) Fruitful, 2020 Medium: Laminated Giclee print on aluminium composite panel Dimensions: 39 x 39 cm Edition of 3308: Printed signature and edition num...

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...