Jean-Paul Riopelle

original lithograph

1964

Medium: lithograph (after the original lithograph poster "Braque Graveur" for the Berggruen Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a serie...

Medium: original lithograph. Printed in 1962 for the art revue Derriere le Miroir (issue number 131) and published in Paris by Maeght. Size: 15 x 22 inches (378 x 558 mm). There is a...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 10 x 6 1/2 inches (257 x 163 mm). Not signed. Con...

Medium: lithograph (after the watercolor). This lithograph was printed on Arjomari wove paper by Mourlot Freres and published in 1965 for Marcelle Oury's "Lettre à mon peintre". Shee...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 9 3/4 x 7 5/8 inches (248 x 194 mm). Signed in the ...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 9 x 7 1/4 inches (230 x 186 mm). Signed in the plat...

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...

GUYON, MAXIMILIENNE (1868-1903) "MARIS STELLA" Lithograph in color, c. 1898-99 Signature in stone “Maximilienne Guyon”; lower right Sheet size: 16” x 12” As published in L’estampe Moderne...

Robert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) PROMENOIR Delteil 290, Adhemar 324, Wittrock 315 Lithograph printed in olive black-green ink, c. 1899 Printed on japon paper, Full margi...