Jeri Eisenberg

Jeri Eisenberg "Crabapple"

2008

Eric Blum Untitled No. 903, 2020 ink, silk, and beeswax on panel 83 x 68 in. (blum066) This original abstract mixed media painting by Eric Blum is on view at Kathryn Markel Fine Art...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Arielle Zamora they/them (b.1990) is a Portland, Oregon-based painter and printmaker. Their painting practice features layers of paint and joint compound as an exploration of line an...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

Noverre - Horse Landscape I, 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14....

About the Series: Gilliam began the series Life Lines in 2017 after recently coming into possession of MRI scans of her brain. The scans, which she spent hours pouring over, both fas...

In "With Many a Sunlit Arrow," color, line, shape, and texture collide on Kozuke ivory paper crafted from the fibers of the kozo plant. This one-of-a-kind, encaustic monotype illuminates a poetic interior landscape. The softness of the washi paper juxtaposed with the lush, textured encaustic/mixed media bring a sense of fragility and lightness to the artwork. Process: Alena's artistic approach is intuitive and gestural. She often works with a limited color palette of encaustic pigment and uses an iterative and spontaneous approach to apply the media. The final phases of creation sometimes include additional intuitive mark-making, subtle line work and sentimental hand-written text from historical, contemporary, or autobiographical sources. Washi Paper: The texture and slight distress in select areas near certain media application is intentional and intended to be part of the overall aesthetic. Shipping: The artwork will be rolled, shipped in a tube, and take approximately 5 business days. For shorter delivery timelines please message Alena directly to make arrangements. Matte and Frame Ideas: Float frames (glass/no glass over the monotype; glass will "flatten" the monotype) Traditional frames with or without a matte When framing the monotype a light ivory or white matte board illuminates the colors. For assistance and/or advice with framing and mounting the monotypes, please contact me directly. Signature and Certificate All artworks are signed on the back in pencil and include the title, creation year, and my signature. A certificate of authenticity is also included with the artwork. ++++ Alena Ahrens is a contemporary American-Asian artist. She studied performance art at MoMA...

In E'stelle I color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The softness of...

In Just Remember That My Happiness Depends On Yours color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poet...

In With Smiles and Tears color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. The ...