John Wilkes

Bradypus (Three-toed Sloth)

1801

George EDWARDS Bird and beetle ('The Gowry Bird') Original engraving, enhanced with watercolor Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Ancient Roman Amphitheater + Year: 2022 + Edition Size: 50 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints...

Dionisio MORETTI Venice, Santa Chiara Island, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inc...

Dionisio MORETTI View of the Grand Canal, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) ...

Dionisio MORETTI Venice, Rialto Bridge, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Ve...

William Woollett (1735–1785) William Woollett was one of the most accomplished British engravers of the 18th century, renowned for his technical precision and his ability to translate the subtleties of painting into the language of print. Born in Maidstone, Kent, Woollett trained under John Tinney in London and quickly established himself as a master of landscape and historical engraving. He became particularly celebrated for his engravings after works by artists such as Richard Wilson, Claude Lorrain, and Benjamin West — notably The Death of General Wolfe (after West), which became one of the most famous British prints of its age. Woollett’s exceptional skill in combining line engraving with etching allowed him to reproduce painterly effects of light, texture, and atmosphere with remarkable delicacy. Elected an Associate Engraver of the Royal Academy in 1775, Woollett elevated the status of printmaking to that of a fine art. His works, characterized by technical brilliance and tonal richness, remain benchmarks of 18th-century British engraving. George Stubbs (1724–1806) George Stubbs is regarded as one of Britain’s greatest animal painters, celebrated for his scientific observation, anatomical accuracy, and artistic sensitivity. Born in Liverpool, he studied anatomy independently, dissecting horses to understand their musculature and structure — research that culminated in his celebrated publication The Anatomy of the Horse (1766). Stubbs’s paintings...

Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...

Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. ...

Original stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...

Hand colored copper plate engraving from “The History of Birds. Plate 117 published in 1776.. “Yellow Created Parrot” Dedicated to Daniele Farsetti, a well known art collector Veni...