Landscape Prints

TECHNICAL INFORMATION Alex Katz Twilight, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 40 x 88 i...

TECHNICAL INFORMATION Alex Katz Sunset 3, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 39 x 70 i...

Technical Information Alex Katz Sunset 2, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 42 x 46 i...

TECHNICAL INFORMATION Alex Katz Sunset 1, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 E...

TECHNICAL INFORMATION Alex Katz Sunrise, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 in...

Tittle, Walter. MANHATTAN MINARETS. Drypoint, 1931. Titled, lower left and signed, lower right. Edition of 75. 14 1/2 x 8 7/8 inches (plate), 17 3/4 x 11 1/8 inches (sheet). In excel...

Bernard Buffet Japan : View from the Hotel in Kyoto, 1981 Original lithograph (Mourlot workshop) Handsigned in pencil Numbered / 20 in Roman numbers On Arches vellum 71 x 53 cm (c. ...

Andrew Wyeth "Dogwood" 1983 Collotype Ed. 115/300 Signed and Numbered Lower Right Image Size: 21 x 28 3/4 inches Framed Size: approx. 29 x 36.5 inches A painter of landscape and figure subjects in Pennsylvania and Maine, Andrew Wyeth became one of the best-known American painters of the 20th century. His style is both realistic and abstract, and he works primarily in tempera and watercolor, often using the drybrush technique. He is the son of Newell Convers and Carolyn Bockius Wyeth of Chadds Ford, Pennsylvania, and was home-schooled because of delicate health. His art instruction came from his famous-illustrator father, who preached the tying of painting to life--to mood and to essences and to capturing the subtleties of changing light and shadows. The Wyeth household was a lively place with much intellectual and social stimulation. Because of the prominence of N.C. Wyeth, persons including many dignitaries came from all over the country to visit the family. Andrew's sisters Carolyn and Henriette became noted artists as did his brother-in-law, Peter Hurd. The non-art oriented brother, Nathaniel Wyeth...

Lith developed gelatin silver print, toned with sepia and gold Signed, titled, dated, and numbered, verso 13 x 13 inches (Edition of 15) 17 x 17 inches (Edition of 15) This artwor...

Lith developed gelatin silver print, toned with sepia and gold Signed, titled, dated, and numbered, verso 13 x 13 inches (Edition of 15) 17 x 17 inches (Edition of 15) This artwor...

Lith developed gelatin silver print, toned with sepia and gold Signed, titled, dated, and numbered, verso 13 x 13 inches (Edition of 15) 17 x 17 inches (Edition of 15) This artwor...

Archival pigment print Signed and numbered on label, verso 29.5 x 24.8 inches (Edition of 6) 54.3 x 45.7 inches (Edition of 6) 70.9 x 58.7 inches (Edition of 2) This artwork is ...

Archival pigment print Signed and numbered on label, verso 24.8 x 29.5 inches (Edition of 6) 45.7 x 54.3 inches (Edition of 6) 58.7 x 70.9 inches (Edition of 2) This artwork is ...

Digital C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works...

Digital C-print on Endura metallic paper (Edition of 3) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works...

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...

Wolff Buchholz Title: Manhattan - Fifth Avenue Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 16.6 × 11.9 inches

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Front Elevation of Section 17" is plate number 34, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds writes, “this plate can be seen as a culmination of the artist’s earlier uses of aquatint and as a new direction the artist will take in his compositions. In early plates such as ‘Joy,’ Plate No. 12, and ‘Do Not Touch,’ Plate No. 20, the artist has presented his designs to our unaccustomed eyes, either formally, by placing them on sculpture pedestals, or more abstractly, using smaller soft ground silhouettes. In later examples such as ‘One Little Stage,’ Plate No. 24, or ‘Heritage,’ Plate No. 25, we were brought closer to a direct interaction with the forms as they began to fill the plates with increasing sculptural and monumental qualities. It was still possible to maintain a more passive point of view because of the stage format of the compositions. In ‘Avenue 11,’ Plate No. 26, as we have seen, the artist unveils the true authority of his designs by placing them in our environment to compete with our reality of a familiar cityscape and to make us question our ideas of aesthetics and logic. In ‘Front Elevation’ we enter into and are confronted with these structures in their own massive landscape...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

The Big Catch, Bavaria, 2015 C-print on Fujiflex paper 70.8 x 47.2 in (180 x 120 cm) Edition of 3 The photographer Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her editorial work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her major advertising campaigns include Victoria’s Secret, Banana Republic...

McCarron 74. 11 7/8 x 9 7/8 (sheet 17 1/8 x 13 3/4). Edition of 111. Illustrated: American Etchers: Martin Lewis. A brilliant, luminous impression with rich, velvety burr, printed on cream laid paper. Signed in pencil. Price upon request. Housed in an archival mat and a 25 x 21-inch black wood frame. According to McCarron, page 136, "The popularity of Relics when first issued is clear; the entire edition sold in just a few months, a spectacular achievement for a printmaker of the time." The location depicted in Relics is the intersection of Charles Street and West Fourth Street in Greenwich Village, a few blocks from Lewis's house on Bedford Street. During Lewis' lifetime, Relics was his most popular print, and the entire edition was sold. Relics and Glow of the City...

Born in Philadephia, Pennsylvania in 1902, painter, etcher, engraver, lithographer and serigrapher Morris Blackburn began his studies at the Graphic Sketch Club and Philadelphia School of Industrial Art and later studied at the Pennsylvania Academy of Fine Arts...

ROBERT COTTINGHAM Hot, from American Signs Portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...

Extra Terrestrial #7 Archival Pigment Print 2011 45" x 30" Edition of 5 + 1 AP $4,000 The unsettled landscape plays a central role in many Ame...

Extra Terrestrial #6 Archival Pigment Print 2011 45" x 30" Edition of 5 + 1 AP $4,000 The unsettled landscape plays a central role in many Ame...

Extra Terrestrial #5 Archival Pigment Print 2011 45" x 30" Edition of 5 + 1 AP The unsettled landscape plays a central role in many American ad...

Toile #3 (Black Locust) Edition 4/5 36 x 36 in Archival Pigment Print on Ilford Pearl 2008 Amelia Bauer’s work is a series of discrete investigatio...

Sigmar Polke Preisvergliech (Price Comparison), 2001 offset lithograph/silkscreen on card stock 39 1/2 x 27 inches Edition of 75 signed, dated and numbered recto in ink; printer...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...

Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his BF...

Robert Bechtle was born in 1932 in San Francisco and raised in Alameda. He studied graphic design and painting at the California College of Arts and Crafts in Oakland, earning his ...